Located near the site of its ancient predecessor, in the heart of historical Alexandria, the remarkable Bibliotheca Alexandrina, the new Library of Alexandria, which opened in 2002, has been uncomfortably close to the turmoil that now wracks Egypt, and especially Egypt’s cities. First a suicide bomber attacked one of Alexandria’s Coptic churches on New Year’s Eve, killing 21 Egyptian Christians and injuring a hundred (including several Muslims worshipping at the mosque across the street). Now, for the past week, tens of thousands of young Egyptians have taken to the city’s streets, calling for more freedom, more jobs, lower prices, and democracy, unfazed by a harsh government crackdown and episodes of violence in which some three dozen Alexandrians have been killed. So it was a great relief to read the message “To our friends around the world” from Ismail Serageldin, the director of the Library, who reports that when unrest broke out on Friday, a cordon of young people rushed to surround the Library complex (which includes conference halls and a planetarium) and protect it from vandalism.
On Thursday evening, January 27, activists in Cairo were on Twitter discussing the second wave of protests, which were supposed to begin after Friday’s midday prayer. Two days earlier, tens of thousands of people had taken to the streets and, despite a violent response by police and thugs, succeeded in occupying Tahrir Square; this time, it was hoped, many more would join in the peaceful revolt.
Barack Obama’s 2011 State of the Union address was an organized sprawl of good intentions—a mostly fact-free summons to a new era of striving and achievement, and a solemn cheer to raise our spirits as we try to get there. And it did not fail to celebrate the American Dream. In short, it resembled most State of the Union addresses since Ronald Reagan’s first in 1982.
In the second half of the twentieth century, Americans were taught to see both Nazi Germany and the Soviet Union as the greatest of evils. Hitler was worse, because his regime propagated the unprecedented horror of the Holocaust, the attempt to eradicate an entire people on racial grounds. Yet Stalin was also worse, because his regime killed far, far more people—tens of millions, it was often claimed—in the endless wastes of the Gulag. For decades, and even today, this confidence about the difference between the two regimes—quality versus quantity—has set the ground rules for the politics of memory.
Cairo on the morning of January 25 felt like something of a ghost town. Few civilians were to be found on the streets, most stores were shuttered, and the typically heaving downtown was deserted. It was a national holiday, and in the central town square, named Tahrir, or Liberation, even cars were scarce, and parking spaces—always sparse—were in abundance. The only conspicuous presence was that of Egypt’s police and state security. Rows of their box-shaped olive-green trucks lined thoroughfares and narrow side-streets, in some cases blocking them off for miles. Beside them were battered cobalt blue trucks—the ones used to whisk away prisoners and detainees. Throughout the downtown area and in neighboring districts, police and informants (easily identified by their loitering presence, darting eyes, and frequent two-second phone calls) were gathered around the otherwise empty major arteries of the city. Hundreds of them. Many wore black cargo pants, bush jackets and clunky army boots. Many more were in plain clothes—standing on street corners, at calculated intervals on sidewalks, in building entrances, on bridges, and in the few cafes open on a day when almost everything was closed.
There is nothing the Academy of Motion Picture Arts and Sciences loves more than movies about people with physical or mental disabilities (or addictions). If the afflicted protagonist also happens to be royal, so much the better, for a suffering crowned head bestows an extra touch of class on Hollywood’s uplifting formula of brave triumph over cruel adversity. Not surprisingly, this year’s leading contender for Oscar glory is Tom Hooper’s The King’s Speech, which was nominated Tuesday for a dozen Academy Awards.
Given that her complete catalogue is composed almost entirely of work she produced as a student, the posthumous critical esteem for American photographer Francesca Woodman is astonishing. Unlike music or math, where precocious displays of talent are not uncommon, photography tends not to have prodigies. Woodman, who committed suicide in 1981 at age 22, is considered a rare exception. That she has achieved such status is all the more remarkable considering only a quarter of the approximately 800 images she produced—many of them self-portraits—have ever been seen by the public.
Cooking odors grow stronger as visitors approach the gallery where Counter Space: Design and the Modern Kitchen—a stimulating show at New York’s Museum of Modern Art on food preparation in the twentieth-century home—is installed. Although the aromas actually emanate from a café next to the second-floor exhibition, the pervasive food smells that can be so distracting throughout the restaurant-riddled MoMA are for once appropriate here.
When I thought of writing a book about Bill Buckley, who first made his name as the chairman (editor in chief) of the Yale Daily News, I went to New Haven to interview Francis Donoghue, the longtime business manager of the paper. Buckley had worked hard to be elected chairman, but his aggressive politics made him feel he had no lock on the job. He asked his older brother, Jim, who had worked on the Daily News before him, if it was proper for him, as a member of the editorial board, to vote for himself. Jim said that the vote was anonymous, so no one would know how he voted. When the vote was unanimous, everyone knew.
I told that story to Donahue, and he said Bill should never have had any doubt, since he was the most respected as well as the most flamboyant editor the paper ever had. I asked whom he would consider the next most outstanding editor of the paper. Without hesitation he said “Sarge Shriver.” There have been many famous men (only men back then) who held that post, so this was an extraordinary tribute. I did not know Shriver then, though I knew of him of course, and that was in my mind when I met him.