Alexander Vvedensky (1904–1941) was born into the liberal intelligentsia of St. Petersburg and grew up in the midst of war and revolution, reaching artistic maturity just as Stalin consolidated control over Russia. After attending a progressive high school, Vvedensky spent a year working at the State Institute of Artistic Culture (GINKhUK) as a researcher in a lab devoted to Futurist abstract poetry. Along with Daniil Kharms, he then became a major figure in the short-lived underground avant-garde group OBERIU (a neologism for “the union for real art”). Unable to publish his poetry—by the 1930s there was no tolerance in the USSR for work of such shimmering invention and provocation—Vvedensky made a living as a writer of children’s literature. In 1931 he was arrested for his so-called counterrevolutionary literary activities, interrogated, and sentenced to three years of internal exile. He was detained again in 1941, and on February 2 he died of pleurisy on a prison train, leaving behind his wife and four-year-old son. Though much of Vvedensky’s work has been lost, what remains has established him as one of the most influential Russian poets of the twentieth century.
Vvedensky was co-founder with Daniil Kharms of one of the most obscure, yet fascinating, playful, and revolutionary Russian avant-garde literary movements, dubbed OBERIU. His avowed task was “the poetic critique of reason” and he claimed “time, death, and God” as the themes of his freewheeling poems.