David Thomson is film critic at The New Republic and has been a frequent contributor to Sight & Sound, Film Comment, The Guardian, and The Independent. He is the author of A Biographical Dictionary of Film and, most recently, The Big Screen: The Story of the Movies. He has also written several novels, including Suspects and Silver Light.
In Hayes’s hypnotically intense reckoning with self-deception and desolation, a disillusioned screenwriter falls into an affair with an actress who, like him, has missed the big time. Nelson Algren called My Face for the World to See “the most vivid picture of Hollywood since Nathanael West’s Day of the Locust.”