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Title Author Description
book image The Bridge of Beyond
Bridge of Beyond
Simone Schwarz-Bart
Schwarz-Bart
+ Description

A multi-generational tale of love and madness, mothers and daughters, folkloric wisdom and the grim legacy of slavery, set on the French Antillean island of Guadeloupe. “There’s magic, madness, glory, tenderness, above all abundant hope.”—Financial Times
Contributors: Jamaica Kincaid , Barbara Bray

book image Now Open the Box
Now Open the Box
Dorothy Kunhardt
Kunhardt
+ Description

Of course everyone in the circus loves Peewee the dog—he is cute and so tiny! But what happens when little Peewee stops being so little? Dorothy Kunhardt, author of Pat the Bunny, addresses children's fears with wonderfully reassuring directness even while making magic out of the simplest things.

book image The Hall of Uselessness: Collected Essays
Hall of Uselessness
Simon Leys
Leys
+ Description

“Simon Leys is living proof of Benjamin Franklin's dictum that a cultured individual should be a jack of all trades.” (Sydney Morning Herald). Here the eminent sinologist and frequent contributor to The New York Review of Books turns his attention to such subjects as the Cultural Revolution, Nabokov, Hitchens, Orwell, Simenon, Confucius, and the fate of the university.

book image Frederick the Great
Frederick the Great
Nancy Mitford
Mitford
+ Description

While writing Voltaire in Love, Nancy Mitford found herself drawn to the wit and humanity of his often misunderstood patron and friend, Frederick of Prussia. The result was her only biography of a non-French subject, and the one she considered her finest. “Vivid, detailed, and highly personal.”—Kate Williams
Contributors: Liesl Schillinger

book image In Love
In Love
Alfred Hayes
Hayes
+ Description

If Indecent Proposal had been written by Jean Rhys and shot by Edward Hopper, the result might have been something like In Love, in which lonely, searching strangers strive to make connections that will outlive last call at the local dive. “Hayes addresses the human condition and its heartbreaks with brevity and brutal honesty.”—The Guardian
Contributors: Frederic Raphael

book image My Face for the World to See
My Face for the World to See
Alfred Hayes
Hayes
+ Description

In Hayes's hypnotically intense reckoning with self-deception and desolation, a disillusioned screenwriter falls into an affair with an actress who, like him, has missed the big time. Nelson Algren called My Face for the World to See “the most vivid picture of Hollywood since Nathanael West’s Day of the Locust.”
Contributors: David Thomson

book image Junket Is Nice
Junket is Nice
Dorothy Kunhardt
Kunhardt
+ Description

Pat the Bunny author Dorothy Kunhardt’s first book is as simple and lovable as the ones for which she is most famous. No one can guess what the old man eating his bowl of junket (a kind of custard) can possibly be thinking. The speculation becomes increasingly absurd until a little boy bicycles up and gets it right on his first try.

book image The Unrest-Cure and Other Stories
Unrest-Cure and Other Stories
Saki
Saki
+ Description

“Weird, but in a good way” is how The Guardian describes Saki’s fantastical stories, set in Edwardian drawing rooms and garden parties. The same words might be used to describe the illustrations Edward Gorey drew for this selection of Saki’s work, originally commissioned by a Swiss publisher, and never before widely available in an English-language edition.
Contributors: Edward Gorey

book image Turtle Diary
Turtle Diary
Russell Hoban
Hoban
+ Description

A man and a woman, each isolated, desperate and despairing—and utter strangers to the other—are simultaneously seized with the desire to liberate turtles from the London Zoo. Hoban confronts the dangers of modern life, its disconnect from nature and solipsistic atomization, with a dark eye and a generous spirit.
Contributors: Ed Park

book image We Have Only This Life to Live: The Selected Essays of Jean-Paul Sartre, 1939–1975
We Have Only This Life to Live
Jean-Paul Sartre
Sartre
+ Description

This new selection, the first in English to draw on Sartre's entire Collected Essays as well as unpublished work, includes appreciations of Faulkner, Bataille, and Giacometti; sketches of the US from his visit in the 1940s; reflections on politics; portraits of Camus and Merleau-Ponty; and a candid reckoning with his own career.
Contributors: Ronald Aronson, Adrian van den Hoven