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Title	Author	Description
Dead Souls Dead Souls	Nikolai Gogol Gogol	This tale of an affably cunning con who establishes a thriving trade in “dead souls”—serfs who though no longer alive can still, he finds, be profitably bought and sold—is also a brilliant spoof of a corrupt society, full of the living dead. This new translation captures Gogol’s linguistic invention and the anarchic fun of his writing. Contributors: Donald Rayfield
Confusion Confusion	Stefan Zweig Zweig	“Confusion is one of [Zweig’s] finest and most exemplary works…a perfect reminder of, or introduction to, Zweig’s economy and subtlety as a writer.” —Robert Macfarlane, The Times Literary Supplement Contributors: George Prochnik , Anthea Bell
Amsterdam Stories Amsterdam Stories	Nescio Nescio	The first English-language translation of a writer whose growing reputation and cult readership have marked him as a figure in world literature. Nescio’s stories are inhabited by wastrels and charmers, the young and the no-longer-young, the bourgeois and the bohemian. He is a great stylist, capturing the mercantile city of Amsterdam and its bucolic surrounding countryside with equal vitality. Contributors: Joseph O'Neill , Damion Searls
Berlin Stories Berlin Stories	Robert Walser Walser	Robert Walser lived in Berlin from 1905 to 1913. This newly translated collection brings together his alternately celebratory, droll, and satirical sketches of the bustling German capital, from its theaters, cabarets, painters’ galleries, and literary salons, to the metropolitan street, markets, the Tiergarten, rapid-service restaurants, and the electric tram. Contributors: Jochen Greven , Susan Bernofsky
An Ermine In Czernopol Ermine in Czernopol	Gregor von Rezzori Rezzori	The first of Rezzori’s three books based on memories of his Austro-Hungarian hometown, a “melting pot for dozens of ethnic groups, languages, creeds, temperaments, and customs.” While the story centers on the downfall of a once glamorous Hussar, it is really about childhood enchantment and the richness of a vanished world. “A flashing novel of ideas.” —Time Contributors: Daniel Kehlmann , Philip Boehm
Proud Beggars Proud Beggars	Albert Cossery Cossery	Cossery’s proud beggars—a former university professor, a hashish-dealing poet, and a would-be revolutionary office-clerk—live on the fringes of Cairo society, and they wouldn’t have it any other way. Each is suspected in the death of a young prostitute, but the detective charged with getting to the truth of the crime finds that he is no match for this band of outsiders. Contributors: Alyson Waters , Thomas W. Cushing
The Letter Killers Club Letter Killers Club	Sigizmund Krzhizhanovsky Krzhizhanovsky	Set in Moscow in the 1920s, this strange tale centers on the doings of a secret society of "Letter Killers"—who meet in a room of empty shelves to enact stories, committing nothing to paper. Krzhizhanovsky is at his philosophical and fantastical best in this extended meditation on madness and silence, the word and the soul unbound. Contributors: Caryl Emerson , Joanne Turnbull
The Adventures of Sindbad Adventures of Sindbad	Gyula Krúdy Krudy	Rogue, romantic, and seducer, Sindbad, Krúdy's most famous creation, returns in dreams to lovers he has left, lovers who have died. The women in turn tell their stories, creating a beautifully melancholy vision of the twilight of the Habsburg Empire. “[Krúdy’s] literary power and greatness are almost past comprehension...” —Sándor Márai Contributors: George Szirtes
The Mirador: Dreamed Memories of Irène Némirovsky by Her Daughter Mirador	Élisabeth Gille Gille	Élisabeth Gille was five years old when her mother, Irène Némirovsky, (whose Suite Française would be a surprise best-seller six decades later) died in Auschwitz. The Mirador is a lookout from which Gille reconstructs the story of her mother’s life, from child of privilege in Kiev, to renowned novelist, to fugitive in rural France. “[Gille] sets out to live in her mother’s head.” —The Nation Contributors: Marina Harss
Fatale Fatale	Jean-Patrick Manchette Manchette	J.P. Manchette transformed the modern detective novel into a weapon of gleeful satire and anarchic fun. In Fatale, we watch with alternating horror and fascination as the deadly Aimée drifts into a sleepy provincial town, poised to make a killing. Contributors: Jean Echenoz , Donald Nicholson-Smith