The Professor and the Siren cover
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Format:
Paperback
Publication date:
June 17, 2014
Pages:
104
ISBN:
9781590177198
Series:
NYRB Classics
Categories:
Available as E-Book, International Literature

An NYRB Classics Original

In the last two years of his life, the Sicilian aristocrat Giuseppe Tomasi di Lampedusa, in addition to his internationally celebrated novel, The Leopard, also composed three shorter pieces of fiction that confirm and expand our picture of his brilliant late-blooming talent.

In the parable-like “Joy and the Law,” a mediocre clerk in receipt of an unexpected supplement to his Christmas bonus (an awkwardly outsize version of the traditional panettone) finds his visions of domestic bliss upset by unwritten rules of honor and obligation. At the heart of the collection stands “The Professor and the Siren” and its redoubtable hero, Professor La Ciura, the only Hellenist scholar to claim firsthand experience of ancient Greek—from the mouth of the beautiful half-human sea creature he loved in his youth. The volume closes with the last piece of writing completed by the author, “The Blind Kittens,” a story originally conceived as the first chapter of a follow-up to The Leopard, a novel that would have traced the post-unification emergence of a new agrarian ruling class in Sicily, coarser than its predecessor but equally blind to the inexorable march of change.

This elegant new translation of Lampedusa’s complete short fiction, the first by a single hand, updates and corrects previously available English versions.

Quotes

Lampedusa has made me realize how many ways there are of being alive.
—E. M. Forster

[Lampedusa] comes so marvellously close to the people and scenes he describes because he conveys, in the manner of classical artists, the hard gleam of inaccessibility that makes human beings and nature itself seem final and alone.
—V. S. Pritchett

After a long and thoughtful accumulation of time and passions, skirting the straits of history and politics, [Lampedusa] recreated an entire epoch, filling his pages with tapestries of crystalline and lasting beauty.
—Edna O’Brien, Financial Times