Where I'm Reading From cover

Where I'm Reading From: The Changing World of Books

Why do we need fiction? Why do books need to be printed on paper, copyrighted, read to the finish? Do we read to challenge our vision of the world or to confirm it? Has novel writing turned into a job like any other? In Where I’m Reading From, the novelist and critic Tim Parks ranges over decades of critical reading—from Leopardi, Dickens, and Chekhov, to Virginia Woolf, D. H. Lawrence, and Thomas Bernhard, and on to contemporary work by Peter Stamm, Alice Munro, and many others—to upend our assumptions about literature and its purpose.

In thirty-seven interlocking essays, Where I’m Reading From examines the rise of the “international” novel and the disappearance of “national” literary styles; how market forces shape “serious ...

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Dreams of Earth and Sky

Dyson’s new collection includes reminiscences, lucid explanations of scientific concepts, and an engagingly imaginative approach to the triumphs, blunders, mysteries, and dreams of scientific inquiry into the natural world.

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Patrick Leigh Fermor: An Adventure

Now in paperback, Artemis Cooper’s prize-winning biography draws from years of conversations with Patrick Leigh Fermor and his closest friends as well as Leigh Fermor’s own private papers, to which Cooper had unlimited access.

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Theater of Cruelty: Art, Film, and the Shadows of War

Many of the filmmakers and artists Ian Buruma covers in his new collection, which focuses on the themes of war, film, and the visual arts, come from Germany and Japan and deal with World War II. What unifies the book is less the question of war itself than the way people deal with violence and cruelty, in the arts and in life.

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Go Figure! New Perspectives on Guston

edited and with an introduction by Peter Benson Miller, preface by Robert Storr
Go Figure!, a lavishly illustrated volume of essays about Philip Guston (1913-1980), considers the late work of Guston who was a friend and contemporary of Jackson Pollock and Willem de Kooning. This volume illustrates the enduring power of his work, particularly the fireworks generated by expressive contradictions embodied in his last paintings.

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