Mary McCarthy was one of the leading literary figures of her time. In addition to the novels and memoirs for which she is best remembered, she was also a tireless literary and social critic. Starting out as a theater reviewer for Partisan Review in 1937, she quickly distinguished herself for her witty and fearless commentary on topics ranging from McCarthyism to the French New Novel to women’s fashion magazines. McCarthy was an eager controversialist, unsparing in her dissection of anything she found phony or hypocritical. Her reviews are sharp, sometimes malicious, and often very funny, but her criticism is also informed by deep erudition and enlivened by an inexhaustible capacity for enthusiasm. Her political writings, critical in equal measure of the Cold War consensus and of its critics, are less concerned with finding correct positions than with exploring the often-absurd circumstances in which agonizing moral decisions are made. While the soundness of McCarthy’s judgments can sometimes be doubted, her curiosity and intelligence cannot.
The intellectual brio and acute judgment that characterizes her best fiction is vividly displayed in this selection of essays, which span McCarthy’s career from the late 1930s to the late 1970s. It includes her writings on topics such as fashion magazines, Eugene O’Neill, “A Streetcar Named Desire,” “Look Back in Anger,” Pale Fire, J. D. Salinger, Madame Bovary, Italo Calvino, and Watergate.
Fierce, provocative, and lovely, a collection of small masterpieces, by one of the twentieth century’s most dazzling minds.— Katie Roiphe
Mary McCarthy casts a cold eye on the mundane, the lazy mind, the tribal response, and bad prose. Personal inclination and moral assertion clash in these witty and learned encounters with life and art. A dazzling talent.— Elizabeth Hardwick
McCarthy’s essays…display a keen intelligence and freshness of perception, coupled with common sense and an old-fashioned belief in social responsibility.— The New York Times
A Bolt from the Blue distills a half century of McCarthy’s nonfiction….Readers of this collection will take immense pleasure in McCarthy’s high-speed aphorisms, flawless taxonomies, and chains of reasoning….McCarthy has been lucky in Scott, who put together this collection of her work with real intelligence and enthusiasm.— Thomas Mallon, The Atlantic Monthly