Charles Hope was Director of the Warburg Institute, London, from 2001 to 2010. He is the author of Titian.
(February 2012)
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The Wrong Leonardo?
February 9, 2012
Leonardo da Vinci: Painter at the Court of Milan
an exhibition at the National Gallery, London, November 9, 2011–February 5, 2012
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Mind Your Maniera
December 5, 2002
Painting in Renaissance Florence, 1500–1550
by David Franklin
Pontormo, Bronzino, Allori: A Genealogy of Florentine Art
by Elizabeth Pilliod
Objects of Virtue: Art in Renaissance Italy
by Luke Syson and Dora Thornton
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E.H. Gombrich (1909–2001)
December 20, 2001
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The Last ‘Last Supper’
August 9, 2001
Leonardo: The Last Supper with essays by Pinin Brambilla Barcilon and Pietro C. Marani,translated from the Italian by Harlow Tighe
Il Genio e le Passioni: Leonardo e il Cenacolo: Precedenti, innovazioni, riflessi di un capolavoro (The Genius and the Passions: Leonardo and the Last Supper: Precedents, Innovations, Reflections of a Masterpiece) Catalog of the exhibition edited by Pietro C. Marani, with a preface by Ernst H. Gombrich
Leonardo da Vinci by Sherwin B. Nuland
Leonardo: The First Scientist by Michael White
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On Francis Haskell (1928–2000)
February 24, 2000
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A Wind from the West
December 2, 1999
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In Lorenzo’s Garden
June 24, 1999
Three Worlds of Michelangelo
by James H. Beck
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The Myth of Florence
October 31, 1996
Florence: A Portrait by Michael Levey
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Can You Trust Vasari?
October 5, 1995
Giorgio Vasari: Art and History by Patricia Lee Rubin
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The Possessed
September 22, 1994
The Cultures of Collecting edited by John Elsner, edited by Roger Cardinal
Collecting: An Unruly Passion, Psychological Perspectives by Werner Muensterberger
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Restoration or Ruination?
November 18, 1993
Art Restoration: The Culture, the Business and the Scandal by James Beck, with Michael Daley
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Painting and Patronage
June 24, 1993
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Tempest over Titian
June 10, 1993
Le Siècle de Titien: L’âge d’or de la peinture à Venise an exhibition at the Grand Palais, Paris, March 9June 14, 1993
Le Siècle de Titien: L’âge d’or de la peinture à Venise catalog of the exhibition by Michel Laclotte. others
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Wall Power
March 25, 1993
Arts of Power: Three Halls of State in Italy, 13001600 by Randolph Starn, by Loren Partridge
Painting, Power and Patronage: The Rise of the Professional Artist in Renaissance Italy
by Bram Kempers, translated by Beverly Jackson
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Michelangelo, True or False?
March 26, 1992
Michelangelo’s Drawings: The Science of Attribution by Alexander Perrig, translated by Michael Joyce
Drawn to Trouble: The Forging of an Artist by Eric Hebborn
Michelangelo’s Nose: A Myth and Its Maker by Paul Barolsky
Why Mona Lisa Smiles and Other Tales by Vasari
by Paul Barolsky
Giotto’s Father and the Family of Vasari’s Lives
by Paul Barolsky
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Reading the ‘Tempest’
April 11, 1991
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Storm over the Storm
February 14, 1991
Giorgione’s ‘Tempest’: Interpreting the Hidden Subject by Salvatore Settis, translated by Ellen Bianchini
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‘Rediscovering the Bellinis’: An Exchange
November 22, 1990
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Rediscovering the Bellinis
July 19, 1990
The Genius of Jacopo Bellini: The Complete Paintings and Drawings
by Colin Eisler
Giovanni Bellini by Rona Goffen
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The Real Leonardo
August 17, 1989
Leonardo da Vinci (JanuaryApril 1989) catalog of an exhibition at the Hayward Gallery, London, by Martin Kemp, by Jane Roberts, by Philip Steadman, introduction by E.H. Gombrich
Leonardo on Painting edited by Martin Kemp, selected and translated by Martin Kemp, by Margaret Walker
Michelangelo Draftsman DC (OctoberDecember 1988), and, in revised form, as Michel-Ange Dessinateur at the Louvre, Paris (May 13July 31, 1989) catalog of an exhibition at the National Gallery of Art, Washington,, by Michael Hirst
Michelangelo and his Drawings
by Michael Hirst
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Sight Gags
September 24, 1987
The Arcimboldo Effect: Transformations of the Face from the Sixteenth to the Twentieth Century An exhibition at the Palazzo Grassi, Venice (FebruaryMay, 1987)
The Arcimboldo Effect: Transformations of the Face from the Sixteenth to the Twentieth Century by Pontus Hulten et al.
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‘Renaissance Beauties’: An Exchange
September 24, 1987
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Renaissance Beauties
May 28, 1987
Lives of the Courtesans: Portraits of the Renaissance by Lynne Lawner
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Jupiter’s Boy
May 29, 1986
Cellini by John Pope-Hennessy, principal photography by David Finn, additional photography by Takashi Okamura. others
Ganymede in the Renaissance: Homosexuality in Art and Society by James M. Saslow
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How Venetian Is Venetian Painting?
November 4, 1982
Painting in Cinquecento Venice: Titian, Veronese, Tintoretto by David Rosand