These images represent moments I’ve always rejected during my editing work because someone was looking into the camera. I always refer to it as eye contact. I strive to disappear and find candid moments as a photojournalist. I want the line between documenter and documented to disappear. These are the overlooked images where I have become present in the picture.
Eye Contact, the name of an exhibition at the VII gallery in Brooklyn from which the following images are drawn, is partly looking back at my work but it’s also a way to demonstrate how the public reacts to photographers. The presence of a photojournalist is used in some places to promote an agenda. In the Niger Delta we find subjects who go out of their way to show their strength and anger, their guns and balls of fire, perhaps in hopes the images will be shown to their opposition. In Syria, many are suspicious and glare at the lens as though it is an informant. In India, the camera is treated with more deference, until I document a prostitute’s intimate moments.