Larry Wolff is Silver Professor of History at NYU, Executive Director of the NYU Remarque Institute, and the author of The Singing Turk: Ottoman Power and Operatic Emotion on the European Stage from the Siege of Vienna to the Age of Napoleon. (October 2017)
an opera by Gioachino Rossini, produced by La Fura dels Baus, at the Rossini Opera Festival, Pesaro, Italy, August 10–19, 2017
Two days after the Islamist attack in Barcelona on August 17, a chorus of Greek warriors sang out from a stage in the little town of Pesaro on the Adriatic coast of Italy: “We take up the sword; the Muslims are climbing our ramparts.” They were met by a chorus …
In Barrie Kosky’s new production of Die Meistersinger, which opened the 2017 Bayreuth Festival, the musical cobbler Hans Sachs has been restyled as his creator Richard Wagner, isolated in the witness box at the Nuremberg Trials, and we the audience have now become the tribunal, passing judgment on him. Sachs, singing of German art, seems to be desperately pleading for absolution after the vicious ways in which German high culture—and especially Wagner’s music—was harnessed to the ideology of Nazism.