Lewis Lockwood is Fanny Peabody Research Professor of Music at Harvard. He is the author of Beethoven: The Music and the Life and, most recently, co-editor with Mark Kroll of The Beethoven Violin Sonatas: History, Criticism, Performance. (November 2004)


Which Is the Real Mendelssohn?

Mendelssohn: A Life in Music

by R. Larry Todd

A Portrait of Mendelssohn

by Clive Brown
In his preface to the English translation of Jirí Weil’s novel about Czechoslovakia under the Nazis, Philip Roth sums up the book’s first chapter: An SS man has orders to remove the statue of the Jewish composer Mendelssohn from among the statues of musicians that ornament the roof of the …

Music on the Grand Tour

Music in European Capitals: The Galant Style, 1720–1780

by Daniel Heartz
“The music formerly known as classical” is a slogan used by the Boston Modern Orchestra Project for music most people call “contemporary.” Though BMOP’s purpose is to shake up entrenched ideas about new music and about “classical” and “popular,” the phrase, recast in meaning, could also refer to music of …

Beethoven Beyond Classicism

Late Beethoven: Music, Thought, Imagination

by Maynard Solomon

Beethoven's Ninth: A Political History

by Esteban Buch, translated from the French by Richard Miller
One autumn evening in 1821 or 1822 the artist Blasius Höfel was sitting with some friends at a tavern in Wiener Neu- stadt, a town near Vienna. Suddenly a local policeman appeared and announced that “we have arrested somebody who will give us no peace. He keeps on yelling that …