NYR DAILY

The New Chartres: An Exchange

The repainted choir of Chartres Cathedral, July 11, 2012 (Click to enlarge)

Contrary to Martin Filler’s assertion that virtually nothing remains of the previous painting at Chartres, beneath the grime not one, but two layers of false masonry were visible, one dating to the thirteenth, the other to the fifteenth century. If there is anything controversial, it lies with the restorers’ decision to use the thirteenth-century false masonry as their guide.