NYR DAILY

Palace of Abandoned Dreams

Afghan youth playing soccer in front of the ruins of the Dar ul-Aman Palace, Kabul, 2010

Like the empty niches and half-effaced cave frescoes that we now refer to as the Buddhas of Bamiyan, the wreckage of the Dar ul-Aman Palace in Kabul records not a single act of destruction, but rather a series of collapses, most initiated from within the Afghan government. Sandbag-reinforced lookouts, second-floor offices converted into improvised mosques, the debris left behind by refugees who sheltered in the east wing—these traces exist alongside, and helplessly modify, the bones of Dar ul-Aman’s grand ballroom, still lovely in its fading green and pink, and the fluted columns that support the long, long corridors, leading the eye to some vanishing point that perhaps once existed in the architecture itself, but now must be imagined, around a corner or through a window or, more simply, in the piece that is missing.