Events: January 5, 2013, NYR and NYRB
Reviewed in the NYR
September 29, 2012 – January 6, 2013
Camille Corot: Nature and Dream
Staatliche Kunsthalle Karlsruhe, Karlsruhe
In the December 6 issue, Willibald Sauerländer writes, “For the first time in Germany we have a comprehensive show of the work of Camille Corot in all its facets.”
More InformationCategory: Exhibition and NYR and NYRB
Reviewed in the NYR
August 12, 2012 – January 7, 2013
Quay Brothers: On Deciphering the Pharmacist’s Prescription for Lip-Reading Puppets
Museum of Modern Art, New York
In the November 22 issue, Sanford Schwartz writes, "Something like a romance with European life and culture seems to be at the center of the art of Timothy and Stephen Quay, currently the subject of an overdue retrospective at MoMA."
More InformationCategory: Exhibition and NYR and NYRB
Reviewed in the NYR
September 14, 2012 – January 13, 2013
Pre-Raphaelites: Victorian Avant-Garde
Tate Britain, London
In the November 22 issue, Julian Bell writes, "This exhibition is not only compendious, bringing together almost every major innovative painting of mid-nineteenth-century Britain along with work in a host of other media. It is provocative."
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Reviewed in the NYR
October 8, 2012 – January 14, 2013
Late Raphael
The Louvre, Paris
In the January 10 issue, Ingrid Rowland writes, “‘Late Raphael’ focuses special attention on two of Raphael’s closest associates, Giulio Romano and Gianfrancesco Penni.”
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Reviewed in the NYR
November 14, 2012 – February 18, 2013
George Bellows: A Retrospective
The Metropolitan Museum of Art, New York
In the December 6 issue, Sanford Schwartz writes, “In Bellows's art one finds, especially in his early pictures, which are among the most beautiful made by an American, that his subject is elusive. It seems to be simply an exuberance in being alive.”
More InformationCategory: Exhibition and NYR and NYRB
Reviewed in the NYR
November 18, 2012 – February 25, 2013
Tokyo 1955–1970: A New Avant-Garde
Museum of Modern Art, New York
In the January 10 issue, Ian Buruma writes, “It is a common belief that Japanese are almost congenitally incapable of facing the horrors of the war they unleashed. Some of the art in MoMA’s new show should help to dispel that caricature.”
More InformationCategory: Exhibition and NYR and NYRB

