NYR Calendar of Coming Events

Events: January 25, 2013

Reviewed in the NYR

November 14, 2012 – February 18, 2013

George Bellows: A Retrospective

The Metropolitan Museum of Art, New York

In the December 6 issue, Sanford Schwartz writes, “In Bellows's art one finds, especially in his early pictures, which are among the most beautiful made by an American, that his subject is elusive. It seems to be simply an exuberance in being alive.”

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Category: Exhibition and NYR and NYRB

Reviewed in the NYR

November 18, 2012 – February 25, 2013

Tokyo 1955–1970: A New Avant-Garde

Museum of Modern Art, New York

In the January 10 issue, Ian Buruma writes, “It is a common belief that Japanese are almost congenitally incapable of facing the horrors of the war they unleashed. Some of the art in MoMA’s new show should help to dispel that caricature.”

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Category: Exhibition and NYR and NYRB

Selected by Dominique Nabokov

November 11, 2012 – March 10, 2013

A Harlem Family 1967

The Studio Museum in Harlem, New York

A gripping work on poverty by the famous African-American photographer, writer, director, and composer Gordon Parks (1912-2008).

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Category: Exhibition

Selected by Dominique Nabokov

October 30, 2012 – March 28, 2013

The Orphan of Zhao’

Swan Theatre, Stratford-upon-Avon

The Royal Shakespeare Company, under the direction of RSC Chief Associate Director Gregory Doran, presents James Fenton's new adaptation of this classic play--sometimes called the Chinese Hamlet.

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Category: Theater

Selected by J. Hoberman

January 19, 2013 – April 7, 2013

Werner Schroeter: Magnificent Obsessions

Berkeley Art Museum and Pacific Film Archive, Berkeley

Schroeter's most visionary movies—the willfully crude, aggressively campy low-budget opera-travesties he made in the late 1960s and early 1970s—were a significant influence on both Fassbinder and Syberberg.

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Category: Film

Reviewed in the NYR

January 24, 2013 – May 26, 2013

Artist and Visionary: William Matthew Prior Revealed

The American Folk Art Museum, New York

In the May 9 issue, Sanford Schwartz writes, “This exhibition of the mid-nineteenth-century portraitist William Matthew Prior refutes the idea that antebellum American artists usually showed African-Americans in a trivializing manner.”

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Category: Exhibition

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