Events: January 31, 2013
Selected by J. Hoberman
Ongoing
‘Zero Dark Thirty’
Regal Stadium 13, New York
Kathryn Bigelow, whose last film, The Hurt Locker, was the best Hollywood action flick of the twenty-first century, uses the killing of Osama Bin Laden as the basis for an epic procedural.
More InformationCategory: Film
Selected by J. Hoberman
January 11, 2013 – January 31, 2013
New Yawk New Wave
Film Forum, New York
New York supported a scrappy, streetwise off-Hollywood well before the coinage “American independent.” “New Yawk New Wave” surveys the movement from Kubrick’s Killer’s Kiss through Scorsese’s Mean Streets.
More InformationCategory: Film
Selected by Dominique Nabokov
Ongoing
Louvre-Lens: A New Branch of the Louvre
Louvre-Lens, Lens
The Louvre has opened its first satellite branch in Lens, a former mining town in the Nord-pas-de-Calais region of France.
More InformationCategory: Exhibition and Other
Selected by J. Hoberman
December 6, 2012 – February 10, 2013
Art Theater Guild and Japanese Underground Cinema, 1960-1986
Museum of Modern Art, New York
Every year or so there’s a retrospective so comprehensive and rich with little-seen work as to jeopardize one’s day job.
More InformationCategory: Film
Selected by Yasmine El Rashidi
Ongoing
‘Argo’
Angelika Film Center, New York
Not quite flattering to the Iranian regime, Argo has received much attention in the Middle East.
More InformationCategory: Film
January 18, 2013 – February 17, 2013
‘La Rendición’
Teatro María Guerrero, Madrid
A one-woman stage adapation of Toni Bentley's memoir, The Surrender, described by Zoe Heller as "a manifesto for anal sex."
More InformationCategory: Theater
Reviewed in the NYR
November 14, 2012 – February 18, 2013
George Bellows: A Retrospective
The Metropolitan Museum of Art, New York
In the December 6 issue, Sanford Schwartz writes, “In Bellows's art one finds, especially in his early pictures, which are among the most beautiful made by an American, that his subject is elusive. It seems to be simply an exuberance in being alive.”
More InformationCategory: Exhibition and NYR and NYRB
Reviewed in the NYR
November 18, 2012 – February 25, 2013
Tokyo 1955–1970: A New Avant-Garde
Museum of Modern Art, New York
In the January 10 issue, Ian Buruma writes, “It is a common belief that Japanese are almost congenitally incapable of facing the horrors of the war they unleashed. Some of the art in MoMA’s new show should help to dispel that caricature.”
More InformationCategory: Exhibition and NYR and NYRB