NYR Calendar of Coming Events

Events: February 12, 2013, Exhibition

Reviewed in the NYR

November 14, 2012 – February 18, 2013

George Bellows: A Retrospective

The Metropolitan Museum of Art, New York

In the December 6 issue, Sanford Schwartz writes, “In Bellows's art one finds, especially in his early pictures, which are among the most beautiful made by an American, that his subject is elusive. It seems to be simply an exuberance in being alive.”

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Category: Exhibition and NYR and NYRB

Reviewed in the NYR

November 18, 2012 – February 25, 2013

Tokyo 1955–1970: A New Avant-Garde

Museum of Modern Art, New York

In the January 10 issue, Ian Buruma writes, “It is a common belief that Japanese are almost congenitally incapable of facing the horrors of the war they unleashed. Some of the art in MoMA’s new show should help to dispel that caricature.”

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Category: Exhibition and NYR and NYRB

Selected by Dominique Nabokov

November 11, 2012 – March 10, 2013

A Harlem Family 1967

The Studio Museum in Harlem, New York

A gripping work on poverty by the famous African-American photographer, writer, director, and composer Gordon Parks (1912-2008).

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Category: Exhibition

Selected by Ingrid D. Rowland

Ongoing

Teatro Valle Occupato

Teatro Valle, Rome

When the City of Rome decided to sell off the eighteenth-century horseshoe theatre a group of outraged (and talented) citizens took it over as squatters. Thanks to them, the Teatro Valle Occupato presents a full program of theatre and music.

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Category: Exhibition, Festival and Dance

Selected by Ingrid D. Rowland

February 2, 2013 – May 19, 2013

Pietro Bembo and the Invention of the Renaissance

Palazzo del Monte di Pietà, Padova

Pietro Bembo (1470-1547) romanced Lucrezia Borgia, climbed Mount Etna and invented the semicolon. Titian painted his portrait. An exhibition in Padua focuses on the man and his collection, both extraordinary.

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Category: Exhibition

Reviewed in the NYR

February 12, 2013 – May 19, 2013

Piero della Francesca in America

The Frick Collection, New York

In the March 21 issue, Walter Kaiser writes, “What, in the end, is most idiosyncratic about the quattrocentro artist Piero della Francesca is the essential nature of his mind, which was molded both by artistic and by mathematical perceptions.”

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Category: Exhibition

Later Events