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Andrew Kopkind
They’d Rather Be Left
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Denis Donoghue
Sweepstakes
Why Are We In Vietnam? by Norman Mailer
Death Kit by Susan Sontag
The Puzzleheaded Girl by Christina Stead
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John Thompson
Early Wilson
A Prelude by Edmund Wilson
Galahad and I Thought of Daisy by Edmund Wilson
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Christopher Lasch
Same Old New Class
Power in America: The Politics of the New Class by David T. Bazelon
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Paul B. Taylor,
Peter H. Salus,
W.H. Auden“The Lay of Hrym” and “Brunhild’s Hel-Ride” (poem)
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Luigi Barzini
A Founding Father
Vita di Antonio Gramsci by Giuseppe Fiori
Antonio Gramsci and the Origins of Italian Communism by John M. Cammett
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Gerald Brenan
Caudillo Country
Politics and the Military in Modern Spain by Stanley G. Payne
The Goodbye Land by José Yglesias
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Edgar Z. Friedenberg
Love in a Cold Climate
Children of Crisis by Robert Coles
The Americanization of the Unconscious by John Seeley
The Healing Partnership by Bernard Steinzor
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Lawrence Stone
After the Revolution
The Origins of Political Stability: England, 1675-1725 by J.H. Plumb
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David Piper
Old Faces
The Portrait in the Renaissance by John Pope-Hennessy
LETTERS
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James A. Michener
Israel and the Arabs
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Robert Alter,
Amos PerlmutterIsrael and the Arabs
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Craig Harrison,
Matthew HodgartHobbit-Forming
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Virginia Tilley
Hobbit-Forming
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Christopher Lasch,
Alfred F. YoungStaughton Lynd
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Paul Goodman
Book-Burning
Contributors
Paul Goodman (1911–1972) was an American social critic, psychologist, poet, novelist, and anarchist, whose writings appeared in Politics, Partisan Review, The New Republic, Commentary, The New Leader, Dissent, and The New York Review of Books. He published several well-regarded but little-known books in a variety of fields—including city planning, Gestalt therapy, educational reform, literary criticism, and politics—before Growing Up Absurd, cancelled by its original publisher and turned down by a further eighteen, was brought out by Random House in 1960 and became an instant bestseller. Its author became an influential leader of the New Left and anti-war movements and a model for a new generation of critics like Susan Sontag, who wrote: “There is no living American writer for whom I have left the same simple curiosity to read as quickly as possible anything he wrote on any subject.” “Paul Goodman Changed My Life,” a 2011 documentary directed by Jonathan Lee and distributed by Zeitgeist Films, continues to play at film festivals and independent cinemas. The film received excellent reviews in such publications as The New York Times, Variety, The New York Post, Village Voice, and Time Out New York.


