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India: Renaissance or Continuity?
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George F. Kennan
A Different Approach to the World: An Interview
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Ernst Gombrich
Talking of Michelangelo
Michelangelo’s Last Paintings: The Conversion of St. Paul and the Crucifixion of St. Peter in the Cappella Paolina, Vatican Palace by Leo Steinberg
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Garry Wills
Imprisoned in the Sixties
Mauve Gloves & Madmen, Clutter & Vine by Tom Wolfe
Winners and Losers: Battles, Retreats, Gains, Losses and Ruins from a Long War by Gloria Emerson
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Emma Rothschild
The Arms Boom and How to Stop It
The Game of Disarmament by Alva Myrdal
Controlling the Conventional Arms Race by the United Nations Association
US Military Sales to Iran Committee on Foreign Relations, US Senate A Staff Report to the Subcommittee on Foreign Assistance of the
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Nigel Dennis
Mad About the Boy
Remembered Laughter: The Life of Noel Coward by Cole Lesley
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Kenneth Koch
I Never Told Anybody Teaching Poetry Writing in a Nursing Home
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Harold Rosenberg
The Shadow of the Furies
The Memory of Justice directed by Marcel Ophuls
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Robert Craft
Edvard Munch: Self-Portraitist (Notes from a Diary)
Edvard Munch by Thomas Messer
Edvard Munch: The Scream by Reinhold Heller
Munch by Jean Selz, translated by Eileen Hennessy
The Graphic Art of Edvard Munch by Werner Timm, translated by Ruth Michaelis-Jena, by Patrick Murray
Edvard Munch catalogue of the Arts Council of Great Britain, with forewords by Sir Kenneth Clark, by Knut Berg
Edvard Munch a film directed by Peter Watkins
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Susan Sontag
Photography in Search of Itself
Looking at Photographs: 100 Pictures from the Collection of the Museum of Modern Art by John Szarkowski
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Michael Wood
The Not-So-Light Fantastic
Falstaff by Robert Nye
October Light by John Gardner
Terra Nostra by Carlos Fuentes, translated by Margaret Sayers Peden
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Wlodzimierz Brus,
Leszek Kolakowski,
Alfred Tarski, et al.The Polish Resistance
LETTERS
Contributors
Professor Sir Ernst Gombrich OM was born in Vienna in 1909 and died in London on November 3, 2001, aged 92. He studied at the Theresianum and then at the Second Institute of Art History at the University of Vienna under Julius von Schlosser (1928-33). He then worked as a Research Assistant and collaborator with the museum curator and Freudian analyst Ernst Kris. He joined the Warburg Institute in London as a Research Assistant in 1936. During World War 2 he was employed by the BBC as a Radio Monitor. After the war he rejoined the Warburg Institute eventually becoming its Director in 1959. His major publications include The Story of Art (1950), Art and Illusion: A Study in the Psychology of Pictorial Representation (1960), Aby Warburg: An Intellectual Biography (1970), The Sense of Order: A Study in the Psychology of Decorative Art. (Also see: www.gombrich.co.uk.)
Michael Wood teaches at Princeton and is the author, most recently, of Yeats and Violence. -


