Contents


The Life-giving Touch

P.P.Rubens: Paintings, Oilsketches, Drawings June 29-September 30, 1977 Catalogue of the Exhibition, Antwerp, Royal Museum of Fine Arts,

P.P.Rubens by Frans Baudouin, translated by Elsie Callander

Rubens compiled and with an introduction by Keith Roberts

Rubens and Italy by Michael Jaffé

Rubens, Drawings and Sketches in the British Museum, 1977 Publications Limited by John Rowlands. Catalogue of an Exhibition at the Department of Prints and Drawings

The Great Political Fiction

Commons Debates 1628 Volume I: Introduction and Reference Materials Volume II: March 17-April 19, 1628 Volume III: April 21-May 27, 1628 edited by Robert C. Johnson, edited by Mary Frear Keeler, edited by Maija Jansson Cole, edited by William B. Bidwell

Letters of Delegates to Congress, 1774-1789 Volume I: August 1774-August 1775 Volume II: August-December 1775 edited by Paul H. Smith

The Documentary History of the Ratification of the Constitution Volume I: Constitutional Documents and Records, 1776-1787 Volume II: Ratification of the Constitution by States, Pennsylvania edited by Merrill Jensen

The Documentary History of the First Federal Elections, 1788-1790, Volume I edited by Merrill Jensen, edited by Robert A. Becker

The Rise of the Fork

The Civilizing Process: The History of Manners by Norbert Elias, translated by Edmund Jephcott

Human Figurations: Essays for Norbert Elias edited by Peter R. Gleichmann, edited by Johan Goudsblom, edited by Hermann Korte

Contributors

Neal Ascherson is the author of The Struggles for Poland, The Black Sea, and Stone Voices: The Search for Scotland. He is an Honorary Professor at the Institute of Archaeology, University College London.


Robert Craft is a conductor and writer. Craft’s close working friendship with Igor Stravinsky is the subject of his memoir, An Improbable Life. In 2002 he was awarded the International Prix du Disque at the Cannes Music Festival.

Ernst Gombrich (1909–2001) was an Austrian art historian. Born in Vienna, Gombrich studied at the Theresianum and then at the University of Vienna under Julius von Schlosser. After graduating, he worked as a Research Assistant and collaborator with the museum curator and Freudian analyst Ernst Kris. He joined the Warburg Institute in London as a Research Assistant in 1936 and was named Director in 1959. His major works include The Story of Art, Art and Illusion: A Study in the Psychology of Pictorial Representation, Aby Warburg: An Intellectual Biography, The Sense of Order: A Study in the Psychology of Decorative Art.

Osip Mandelstam (1891–1938) was born and raised in St. Petersburg, where he attended the prestigious Tenishev School, before studying at the universities of St. Petersburg and Heidelberg and at the Sorbonne. Mandelstam first published his poems in Apollyon, an avant-garde magazine, in 1910, then banded together with Anna Akhmatova and Nicholas Gumilev to form the Acmeist group, which advocated an aesthetic of exact description and chiseled form, as suggested by the title of Mandelstam’s first book, Stone (1913). During the Russian Revolution, Mandelstam left Leningrad for the Crimea and Georgia, and he settled in Moscow in 1922, where his second collection of poems, Tristia, appeared. Unpopular with the Soviet authorities, Mandelstam found it increasingly difficult to publish his poetry, though an edition of collected poems did come out in 1928. In 1934, after reading an epigram denouncing Stalin to friends, Mandelstam was arrested and sent into exile. He wrote furiously during these years, and his wife, Nadezhda, memorized his work in case his notebooks were destroyed or lost. (Nadezhda Mandelstam’s extraordinary memoirs of life with her husband, Hope Against Hope and Hope Abandoned, published in the 1970s, later helped to bring Mandelstam a worldwide audience.)