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Contents

November 23, 1978 • Volume 25, Number 18

LETTERS

Contributors

Thomas R. Edwards is Emeritus Professor of English at Rutgers and a former editor of Raritan. His most recent book is Over Here: Criticizing America, 1968–1989. (June 2004)

Clive James is the author of many books of criticism, autobiography, fiction, and poetry. His latest and longest book, Cultural Amnesia: Necessary Memories from History and the Arts, will be published in the spring. (January 2007)

Martin Gardner is the author of The New Ambidextrous Universe, Fractal Music, Hypercards and More, and The Night is Large. His most recent book is a novel, Visitors from Oz. (September 1998)

Robert O. Paxton is Mellon Professor of Social Sciences Emeritus at Columbia. His latest book is The Anatomy of Fascism. (April 2009)

Stanley Hoffmann is Paul and Catherine Buttenwieser University Professor at Harvard. His most recent books are Chaos and Violence: What Globalization, Failed States, and Terrorism Mean for US Foreign Policy and Rousseau and Freedom, coedited with Christie McDonald.


Frederick Crews is a fellow of the Institute for Science in Medicine. His most recent book is Follies of the Wise: Dissenting Essays. (October 2011)

Alastair Reid is a poet, a prose chronicler, a translator, and a traveler. Born in Scotland, he came to the United States in the early 1950s, began publishing his poems in The New Yorker in 1951, and for the next fifty-odd years was a traveling correspondent for that magazine. Having lived in both Spain and Latin America for long spells, he has been a constant translator of poetry from the Spanish language, in particular the work of Jorge Luis Borges and Pablo Neruda. He has published more than forty books, among them a wordbook for children, Ounce Dice Trice, with drawings by Ben Shahn. Most recently, in 2008, he published in the U.K. two career-spanning volumes, Outside In: Selected Prose and Inside Out: Selected Poetry and Translations. The substance of Supposing… e gleaned from the many children who have influenced him, to all of whom he owes and dedicates the text.

Henri Zerner, Professor of History of Art and Architecture at Harvard, is the author, most recently, of Renaissance Art in France: The Invention of Classicism and Écrire l’histoire de l’art: Figures d’une discipline. (January 2005)

Peter France is Professor Emeritus of French at the University of Edinburgh, the author of Politeness and Its Discontents, and the editor of The New Oxford Companion to Literature in French. (June 2005)