Contents


Vissi d’arte

Maria Callas: The Woman Behind the Legend by Arianna Stassinopoulos

Callas: Les Images d’une Voix by Sergio Segalini

Diva: The Life and Death of Maria Callas by Steven Linakis

Maria Callas: A Tribute by Pierre-Jean Rémy, translated by Catherine Atthill

The Callas Legacy by John Ardoin

Collaborators

Donatello and Michelozzo: An Artistic Partnership and Its Patrons in the Early Renaissance Philadelphia) by R. W. Lightbown

Contributors

James Chace is the Paul W. Williams Professor of Government and Public Law at Bard College. He is the author of Acheson and, most recently, 1912: The Election That Changed the Country. He is now working on a biography of Lafayette. (October 2004)

Irvin Ehrenpreis (1920–1985) was the Linden Kent Memorial Professor of English Literature at the University of Virginia. In 1984 he received the Christian Gauss Award from Phi Beta Kappa for the final volume of his trilogy, Swift: The Man, His Works, and the Age.

Martin Gardner (1914–2010) was a science writer and novelist. He was the author of The New Ambidextrous Universe, Fractal Music, Hypercards and More, The Night is Large and Visitors from Oz.

John Hollander is Sterling Professor Emeritus of English at Yale.

Diane Johnson is a novelist and critic. Her books include Lulu in Marrakech and Le Divorce. Her new book, Flyover Lives, was published in January 2014.

Joseph Kerman is emeritus professor of music at the University of California, Berkeley. He began writing music criticism for The Hudson Review in the 1950s, and is a longtime contributor to The New York Review of Books and many other journals. His books include Opera as Drama (1956; new and revised edition 1988), The Beethoven Quartets (1967), Contemplating Music (1986), Concerto Conversations (1999), and The Art of Fugue (2005).

Dwight Macdonald (1906–1982) was born in New York City and educated at Exeter and Yale. On graduating from college, he enrolled in Macy’s executive training program, but soon left to work for Henry Luce at Time and Fortune, quitting in 1936 because of cuts that had been made to an article he had written criticizing U.S. Steel. From 1937 to 1943, Macdonald was an editor of Partisan Review and in 1944, he started a journal of his own, Politics, whose contributors included Albert Camus, Victor Serge, Simone Weil, Bruno Bettelheim, James Agee, John Berryman, Meyer Schapiro, and Mary McCarthy. In later years, Macdonald reviewed books for The New Yorker, movies for Esquire, and wrote frequently for The New York Review of Books.

Alexander Pushkin (1799–1837) was born in Moscow and brought up mainly by tutors and governesses. One of his great-grandfathers, Abram Gannibal, was an African slave who became a favorite and godson of Peter the Great. Like many aristocrats, Pushkin learned Russian mainly from household serfs. As an adolescent, he attended the new elite lyceum at Tsarskoye Selo, outside St. Petersburg. In his early twenties he was exiled because of his political verse, first to the Caucasus, then to Odessa, then to his mother’s estate in the north. Several of his friends took part in the failed 1825 Decembrist revolt, but Pushkin did not—possibly because his friends wished to protect him, possibly because they did not trust him to keep the plot secret. In 1826 Pushkin was allowed to return to St. Petersburg. During his last years he suffered many humiliations, including serious debts and worries about the fidelity of his young wife, Natalya Goncharova. In 1837 he was fatally wounded in a duel with Georges-Charles d’Anthès, the Dutch ambassador’s adopted son, who was said to be having an affair with Natalya. Pushkin’s position in Russian literature can best be compared with that of Goethe in Germany. Not only is he Russia’s greatest poet; he is also the author of the first major works in a variety of genres. As well as his masterpieces—the verse novel Eugene Onegin and the narrative poem The Bronze Horseman—Pushkin wrote one of the first important Russian dramas, Boris Godunov (1825); one of the finest of all Russian short stories, “The Queen of Spades” (1833); and the first great Russian prose novel, The Captain’s Daughter (1836). His prose style is clear and succinct; he wrote that “Precision and brevity are the most important qualities of prose. Prose demands thoughts and more thoughts—without thoughts, dazzling expressions serve no purpose.”

Frederick Seidel’s most recent book of poems is Nice Weather. (October 2014)

A.J.P. Taylor (1906–1990) was a British diplomatic historian.

Michael Walzer is Professor Emeritus in the School of ­Social Science at the Institute for Advanced Study and Co-editor Emeritus of Dissent magazine. He is the author most recently of In God’s Shadow: Politics in the Hebrew Bible. (March 2014)

John Weightman (1915–2004) was a critic and literary scholar. After working as a translator and announcer for the BBC French service, Weightman turned to the study of French literature. He taught at King’s College London and the University of London. His books include The Concept of the Avant-Gardeand The Cat Sat on the Mat: Language and the Absurd.

James Wolcott is the cultural critic for Vanity Fair.

Gordon Wood is the Alva O. Way University Professor and Professor of History Emeritus at Brown. His latest book is The Idea of America: Reflections on the Birth of the United States.