Contents


The Return of Meyerhold

Meyerhold the Director by Konstantin Rudnitsky, translated by George Petrov, edited by Sydney Schultze

Meyerhold at Work edited by Paul Schmidt, translated by Paul Schmidt, by Ilya Levin, by Vern McGee

Breaking Away

Prophecy and Politics: Socialism, Nationalism and the Russian Jews, 1862-1917 by Jonathan Frankel

How Not to Think About Nuclear War

Nuclear Weapons and the Atlantic Alliance,” by McGeorge Bundy, by George F. Kennan, by Robert S. McNamara, by Gerard Smith

The Fate of the Earth by Jonathan Schell

Nuclear Illusion and Reality by Solly Zuckerman

Contributors

Murray Kempton (1917-1997) was a columnist for Newsday, as well as a regular contributor to The New York Review of Books. His books include Rebellions, Perversities, and Main Events and The Briar Patch, as well as Part of Our Time. He won the Pulitzer Prize in 1985.

Mary McCarthy (1912-1989) was a novelist, essayist, and critic. Her political and social commentary, literary essays, and drama criticism appeared in magazines such as Partisan Review, The New Yorker, Harper’s, and The New York Review of Books, and were collected in On the Contrary (1961), Mary McCarthy’s Theatre Chronicles 1937-1962 (1963), The Writing on the Wall (1970), Ideas and the Novel (1980), and Occasional Prose (1985). Her novels include The Company She Keeps (1942), The Oasis (1949), The Groves of Academe (1952), A Charmed Life (1955), The Group (1963), Birds of America (1971), and Cannibals and Missionaries (1979). She was the author of three works of autobiography, Memories of a Catholic Girlhood (1957), How I Grew (1987), and the unfinished Intellectual Memoirs (1992), and two travel books about Italy, Venice Observed (1956) and The Stones of Florence (1959). Her essays on the Vietnam War were collected in The Seventeenth Degree (1974); her essays on Watergate were collected in The Mask of State (1974).

John Russell (1919–2008) was Chief Art Critic at The New York Times from 1982 until 1990. He was the author of many art-historical studies, including Matisse, Father & Son and The Meanings of Modern Art.

Stephen Spender (1909–1995) was an English poet and essayist. As a young man, he became friends with W.H. Auden, Louis MacNeice, Cecil Day-Lewis, and Christopher Isherwood, a loose collection often referred to as “the Auden Group” or “MacSpaunday.” He published many collections of poems, including The Still Centre and Ruins and Visions, and numerous volumes of nonfiction and other works, including Learning Laughterand Love-Hate Relations.

A.J.P. Taylor (1906–1990) was a British diplomatic historian.

James Wolcott is the cultural critic for Vanity Fair.