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Contents

November 22, 1984 • Volume 31, Number 18

LETTERS

Contributors

Timothy Garton Ash is Professor of European Studies and Isaiah Berlin Professorial Fellow at St. Antony’s College, Oxford, and a Senior Fellow at the Hoover Institution, Stanford. He is the author of many books, including The Magic Lantern, an eyewitness account of the velvet revolutions of 1989. His most recent book is Facts Are Subversive: Political Writing from a Decade Without a Name. He is currently leading an Oxford University 
research project for the discussion of global free speech norms (www.freespeechdebate.com) and working on a book about free speech.

John Bayley is a critic and novelist. His books include Elegy for Iris and The Power of Delight: A Lifetime in Literature.

Thomas Sheehan is Professor of Religious Studies at Stanford University. (December 2001)

D.J. Enright (1920–2002) was a British poet, novelist and critic. He held teaching positions in Egypt, Japan, Thailand, Singapore and the United Kingdom. In 1981 Enright was awarded the Queen’s Gold Medal for Poetry.

John Kenneth Galbraith (1908–2006) was a Canadian economist and politician. He taught at Princeton and Harvard. His works include The Affluent Society, The Age of Uncertainty and Economics and the Public Purpose. Galbraith’s many honors include the Presidential Medal of Freedom, the Lomonosov Gold Medal, the Order of Canada, and the Padma Vibhushan, India’s second highest civilian award.

April Bernard’s most recent collection of poems is Romanticism. A novel, Miss Fuller, will be coming out in the spring.
 (December 2011)

Harold Bloom’s most recent books are The Anatomy of Influence: Literature as a Way of Life and The Shadow of a Great Rock: A Literary Appreciation of the King James Bible. He teaches at Yale and is at work on a play, To You Whoever You are: A Pageant Celebrating Walt Whitman.
 (February 2012)

James Joll (1936–2011) was a British historian. His books include The Origins of the First World War and Europe Since 1870.

Charles Taylor was recently awarded the 2007 Templeton Prize. He is Professor of Law and Philosophy at Northwestern and Professor Emeritus of Political Science and Philosophy at McGill. His books include Hegel and The Ethics of Authenticity. (April 2007)

Paul Schmidt (1934-1999), translator, poet, actor, librettist, playwright, and essayist, was born in Brooklyn, the oldest of seven children. He received a degree from Colgate University in Russian studies in 1955 and, after a year of graduate work at Harvard, he moved to Paris, where he studied mime with Marcel Marceau and acting with Jacques Charon of the Comédie Française. Drafted in 1958, he served in the US Army Intelligence and on his release resumed his Russian studies; his doctoral thesis on “the stylized theater of V.E. Mejerxol’d” was published as Meyerhold at Work. For eleven years, Schmidt was a professor of Slavic languages at the University of Texas at Austin, where he won the Bromberg Award for Teaching Excellence. His Arthur Rimbaud: Complete Works was published in 1975, and translations of Russian poets, notably Marina Tsvetaeva, followed. A commission from the Dia Foundation supported his translations of Velimir Khlebnikov (four volumes published between 1985 and 1997), allowing him to leave academia and move to New York City. Working with the Yale Repertory Theatre, the American Repertory Theatre, the Guthrie, and other companies, he translated Euripides, Chekhov, Brecht, Genet, Gogol, Marivaux, and Mayakovsky, and wrote three plays of his own, winning the Helen Hayes and Kesselring awards for best play for Black Sea Follies. Providing text and often performing, he collaborated with the Wooster Group and with the avant-garde directors Robert Wilson, JoAnne Akalaitis, David Schweitzer, and Peter Sellars. He also acted in film and television, and in the 1970s devised “The Lost Art of Melodeclamation,” a program of nineteenth-century works for voice and orchestra, which he toured and performed with the pianist Yvar Mikhashoff, who transposed the works for keyboard. The Plays of Anton Chekhov, Schmidt’s translation of twelve of Chekhov’s plays, was published in 1997. From 1993 until the end of his life, he taught translation and dramaturgy at the Yale School of Drama.

James Wolcott is the cultural critic for Vanity Fair.

Keith Thomas is a Fellow of All Souls College, Oxford. He is the author The Ends of Life: Roads to Fulfillment in Early Modern England.

Christopher Benfey is Mellon Professor of English at Mount Holyoke. His latest book, Red Brick, Black Mountain, White Clay, is now out in paperback.
 (March 2013)