Contents

October 10, 1985 • Volume 32, Number 15

LETTERS

Contributors

Paul Schmidt (1934-1999), translator, poet, actor, librettist, playwright, and essayist, was born in Brooklyn, the oldest of seven children. He received a degree from Colgate University in Russian studies in 1955 and, after a year of graduate work at Harvard, he moved to Paris, where he studied mime with Marcel Marceau and acting with Jacques Charon of the Comédie Française. Drafted in 1958, he served in the US Army Intelligence and on his release resumed his Russian studies; his doctoral thesis on “the stylized theater of V.E. Mejerxol’d” was published as Meyerhold at Work. For eleven years, Schmidt was a professor of Slavic languages at the University of Texas at Austin, where he won the Bromberg Award for Teaching Excellence. His Arthur Rimbaud: Complete Works was published in 1975, and translations of Russian poets, notably Marina Tsvetaeva, followed. A commission from the Dia Foundation supported his translations of Velimir Khlebnikov (four volumes published between 1985 and 1997), allowing him to leave academia and move to New York City. Working with the Yale Repertory Theatre, the American Repertory Theatre, the Guthrie, and other companies, he translated Euripides, Chekhov, Brecht, Genet, Gogol, Marivaux, and Mayakovsky, and wrote three plays of his own, winning the Helen Hayes and Kesselring awards for best play for Black Sea Follies. Providing text and often performing, he collaborated with the Wooster Group and with the avant-garde directors Robert Wilson, JoAnne Akalaitis, David Schweitzer, and Peter Sellars. He also acted in film and television, and in the 1970s devised “The Lost Art of Melodeclamation,” a program of nineteenth-century works for voice and orchestra, which he toured and performed with the pianist Yvar Mikhashoff, who transposed the works for keyboard. The Plays of Anton Chekhov, Schmidt’s translation of twelve of Chekhov’s plays, was published in 1997. From 1993 until the end of his life, he taught translation and dramaturgy at the Yale School of Drama.

Richard C. Lewontin is Alexander Agassiz Professor of Zoology and Professor of Biology at Harvard University. He is the author of The Genetic Basis of Evolutionary Change and Biology as Ideology, and the co-author of The Dialectical Biologist (with Richard Levins) and Not in Our Genes (with Steven Rose and Leon Kamin).

Conor Cruise O’Brien (1917–2009) was an Irish historian and politician. He was elected to the Irish parliament in 1969 and served as a Minister from 1973 until 1977. His works include States of Ireland, The Great Melody and Memoir: My Life and Themes.

V.S. Pritchett (1900–1997) was a British essayist, novelist and short story writer. He worked as a foreign correspondent for the The Christian Science Monitorand as a literary critic forNew Statesman. In 1968 Pritchett was made a Commander of the Order of the British Empire; he was knighted in 1975. His body of work includes many collections of short stories, in addition to travelogues, reviews, literary biographies and novels.

Peter B. Reddaway is Professor Emeritus of Professor Emeritus of Political Science and International Affairs at George Washington University.

C. Vann Woodward (1908–1999) was a historian of the American South. He taught at Johns Hopkins and at Yale, where he was named the Sterling Professor of History. His books include Mary Chesnut’s Civil War and The Old World’s New World.

Derek Walcott is a poet, playwright, essayist, and visual artist. Born in Castries, St. Lucia, he won the Nobel Prize in Literature in 1992. His epic poem Omerosis a reworking of the Homeric story and tradition into a journey around the Caribbean and beyond to the American West and London.