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Ian Buruma
Japanese Lib
The Issue of War: States, Societies, and the Far Eastern Conflict of 19411945 by Christopher Thorne
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Hugh Trevor-Roper
The Moral Minority
Religion and Public Doctrine in Modern England Vol.II: Assaults by Maurice Cowling
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Charles Rycroft
The Sixth Sense
The Man Who Mistook His Wife For a Hat and Other Clinical Tales by Oliver Sacks
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Bertram Wyatt-Brown
The Sound and the Fury
Thinking Back: The Perils of Writing History by C. Vann Woodward
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Alfred Kazin
The Fascination and Terror of Ezra Pound
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G.E.R. Lloyd
The Mind on Sex
The Use of Pleasure: Volume II of The History of Sexuality by Michel Foucault, translated by Robert Hurley
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Robert M. Adams
Putting Pope in His Place
Alexander Pope: A Life by Maynard Mack
Pope and Horace: Studies in Imitation by Frank Stack
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Francis Russell
Clinching the Case
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Howard Moss
Street Moves
The Dancer and the Dance: Merce Cunningham in Conversation with Jacqueline Lesschaeve
Merce Cunningham Dance Company November 30December 6, 1985, Joyce Theater, New York
Merce Cunningham Dance Company March 517, 1985 New York City Center
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Oliver Taplin
Homer Comes Home
Homer by Paolo Vivante
The Mortal Hero: An Introduction to Homer’s Iliad by Seth L. Schein
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Robert S. Leiken
The Battle for Nicaragua
LETTERS
Contributors
Timothy Garton Ash is Professor of European Studies and Isaiah Berlin Professorial Fellow at St. Antony’s College, Oxford, and a Senior Fellow at the Hoover Institution, Stanford. He is the author of many books, including The Magic Lantern, an eyewitness account of the velvet revolutions of 1989. His most recent book is Facts Are Subversive: Political Writing from a Decade Without a Name. He is currently leading an Oxford University research project for the discussion of global free speech norms (www.freespeechdebate.com) and working on a book about free speech.


