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George F. Kennan
The Buried Past
Memoirs 1989) by Andrei Gromyko
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Charles Rosen
Inventor of Modern Opera
Oeuvres by Caron de Beaumarchais
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James Merrill
November Ode (poem)
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John Osborne
The Pearl Fisher
The Magic Lantern: An Autobiography by Ingmar Bergman, translated by Joan Tate
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Joan Didion
Insider Baseball
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Stephen Jay Gould
Mighty Manchester
Infinite in All Directions by Freeman J. Dyson
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Wilfrid Sheed
The Exile
In Search of J.D. Salinger by Ian Hamilton
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James Fallows
Rich Kids
Old Money: The Mythology of America’s Upper Class by Nelson Aldrich
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Timothy Garton Ash
Reform or Revolution?
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Ronald Dworkin
The New England
Mrs. Thatcher’s Revolution: The Ending of the Socialist Era by Peter Jenkins
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Hugh Trevor-Roper
The Lost Moments of History
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Frederick C. Crews
Whose American Renaissance?
American Renaissance: Art and Expression in the Age of Emerson and Whitman by F.O. Matthiessen
The American Renaissance Reconsidered: Selected Papers from the English Institute, 1982-83 edited by Walter Benn Michaels, edited by Donald E. Pease
The Unusable Past: Theory and the Study of American Literature by Russell J. Reising
Ideology and Classic American Literature edited by Sacvan Bercovitch, edited by Myra Jehlen
Visionary Compacts: American Renaissance Writings in Cultural Context by Donald E. Pease
Sensational Designs: The Cultural Work of American Fiction, 1790-1860 by Jane Tompkins
Beneath the American Renaissance: The Subversive Imagination in the Age of Emerson and Melville by David S. Reynolds
Hard Facts: Setting and Form in the American Novel by Philip Fisher
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Gore Vidal
Every Eckermann His Own Man
Selections from the first two issues of The New York Review of Books with an introduction by Elizabeth Hardwick
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Robert Darnton
A Star Is Born
Jean-Jacques Rousseau: Transparency and Obstruction by Jean Starobinski, translated by Arthur Goldhammer, with an introduction by Robert J. Morrissey
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Susan Sontag
AIDS and Its Metaphors
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Murray Kempton
The Sad Degas
Degas (September 27, 1988January 8, 1989) An exhibition at The Metropolitan Museum of Art, New York City
LETTERS
Contributors
Timothy Garton Ash is Professor of European Studies and Isaiah Berlin Professorial Fellow at St. Antony’s College, Oxford, and a Senior Fellow at the Hoover Institution, Stanford. He is the author of many books, including The Magic Lantern, an eyewitness account of the velvet revolutions of 1989. His most recent book is Facts Are Subversive: Political Writing from a Decade Without a Name. He is currently leading an Oxford University research project for the discussion of global free speech norms (www.freespeechdebate.com) and working on a book about free speech.


