Contents


Uncle Whiz

The Table Talk of W.H. Auden by Alan Ansen, edited by Nicholas Jenkins, Introduction by Richard Howard

Memoirs of a Bastard Angel by Harold Norse

W.H. Auden: ‘The Map of All My Youth,’ Early Works, Friends and Influences Auden Studies, Volume I edited by Katherine Bucknell, edited by Nicholas Jenkins

Auden’s Apologies For Poetry by Lucy McDiarmid

Supreme Suprematist

Kazimir Malevich, 1878–1935 September–November, 1990; The Armand Hammer Museum of Art and Cultural Center, Los Angeles, November 28, 1900–January 13, 1991; The Metropolitan Museum of Art, New York, February 7, 1991–March 24, 1991 an exhibition at The National Gallery of Art, Washington, DC,

Kazimir Malevich, 1878–1935 catalog of the exhibition, edited by Jeanne D'Andrea

Revising the Revolution

The Blessed Revolution: English Politics and the Coming of War, 1621–1624 by Thomas Cogswell

Charles I and the Road to Personal Rule by L.J. Reeve

Puritans and Roundheads: The Harleys of Brampton Bryan and the Outbreak of the English Civil War by Jacqueline Eales

Conflict in Early Stuart England: Studies in Religion and Politics, 1603–1642 edited by Richard Cust, edited by Ann Hughes

Contributors

Noel Annan (1916–2000) was a British military intelligence officer and scholar of European history. His works include Leslie Stephen and Our Age, Changing Enemies: The Defeat and Regeneration of Germany, and The Curious Strength of Positivism in English Political Thought.

Robert Craft is a conductor and writer. Craft’s close working friendship with Igor Stravinsky is the subject of his memoir, An Improbable Life. In 2002 he was awarded the International Prix du Disque at the Cannes Music Festival.

Joan Didion is the author of The Year of Magical Thinking and We Tell Ourselves Stories in Order to Live: Collected Nonfiction.

James Fallows is National Correspondent for The Atlantic.His books include Free Flight: Inventing the Future of Travel, Blind into Baghdad: America’s War in Iraq, and China Airborne.

Timothy Garton Ash is Professor of European Studies and Isaiah Berlin Professorial Fellow at St. Antony’s College, Oxford, and a Senior Fellow at the Hoover Institution, Stanford. He currently leads the Free Speech Debate project at Oxford (freespeechdebate.com) and is writing a book about free speech.


John Golding (1929–2012) was a British painter and art historian. He taught at the Courtauld Institute and the Royal College of Art. Among his many books was Cubism: A History and an Analysis, which refuted the notion that Cubism represented a break with the realist tradition. Golding also curated exhibitions on both sides of the Atlantic, including Picasso: Painter/Sculpter and Matisse Picasso.