Contents

July 16, 1992 • Volume 39, Number 13
  • James M. McPherson

    The Art of Abraham Lincoln e-edition

    Lincoln at Gettysburg: The Words That Remade America by Garry Wills

  • James Fenton

    Cory Lives! e-edition

  • Ian Buruma

    The Ways of Survival e-edition

    Jakob Littners Aufzeichnungen aus einem Erdloch by Wolfgang Koeppen

    A Feast in the Garden by George Konrád, translated by Imre Goldstein

  • David Brion Davis

    The American Dilemma e-edition

    Two Nations: Black and White, Separate, Hostile, Unequal by Andrew Hacker

    The Dispossessed: America’s Underclasses from the Civil War to the Present by Jacqueline Jones

  • John Richardson

    Go Go Guggenheim e-edition

  • Luc Sante

    The Possessed e-edition

    Crackhouse: Notes from the End of the Line by Terry Williams

    Clockers by Richard Price

  • C. Vann Woodward

    Made in the U.S.A. e-edition

    Truman by David McCullough

  • Francine du Plessix Gray

    Splendor and Miseries e-edition

    Women for Hire: Prostitution and Sexuality in France after 1850 by Alain Corbin, translated by Alan Sheridan

    La Vie quotidienne dans les maisons closes, 1830–1930 by Laure Adler

    Figures of Ill Repute: Representing Prostitution in Nineteenth-Century France by Charles Bernheimer

    Painted Love: Prostitution in French Art of the Impressionist Era by Hollis Clayson

  • Michael Wood

    Austere Fireworks e-edition

    Collected Poems: A Bilingual Edition by Federico García Lorca, edited by Christopher Maurer

    Four Puppet Plays, ‘Play Without a Title,’ The Divan Poems and Other Poems, Prose Poems and Dramatic Pieces by Federico García Lorca, translated by Edwin Honig

    Line of Light and Shadow: The Drawings of Federico García Lorca by Mario Hernández, translated by Christopher Maurer

    The House of Bernarda Alba a film directed by Nuria Espert, by Stuart Burge, produced by Holmes for Channel 4

  • Matthew Rutenberg

    The Genius of Cento e-edition

    Guercino: Master Painter of the Baroque 15–May 17, 1992 an exhibition at the National Gallery of Art, Washington, DC, March

    Guercino: Master Painter of the Baroque catalog of the exhibition by Denis Mahon, with contributions by Andrea Emiliani, by Diane De Grazia, by Sybille Ebert-Schifferer

    Guercino: Drawings from Windsor Castle an exhibition at The Drawing Center, New York, June 2–August 1, 1992

    Guercino: Drawings from Windsor Castle catalog of the exhibition, by Nicholas Turner

    Guercino: Master Draftsman, Works from North American Collections catalog by David M. Stone

    Guercino (1591–1661): Drawings From Dutch Collections catalog by Carel van Tuyll Van Serooskerken

  • David Remnick

    Dons of the Don e-edition

    The Soviet Mafia by Arkady Vaksberg, translated by John Roberts, translated by Elizabeth Roberts

  • Robert M. Adams

    Fatal Triangles e-edition

    A Theatre of Envy: William Shakespeare by René Girard

LETTERS

Contributors

Luc Sante is the author of Low Life, Evidence, The Factory of Facts, Kill All Your Darlings, and Folk Photography. He has translated Félix Fénéon’s Novels in Three Lines and written the introduction to George Simenon’s The Man Who Watched Trains Go By (both available as NYRB Classics). He is a frequent contributor to The New York Review of Books and teaches writing and the history of photography at Bard College.

Robert Craft is a conductor and writer. Craft’s close working friendship with Igor Stravinsky is the subject of his memoir, An Improbable Life. In 2002 he was awarded the International Prix du Disque at the Cannes Music Festival.

C. Vann Woodward (1908–1999) was a historian of the American South. He taught at Johns Hopkins and at Yale, where he was named the Sterling Professor of History. His books include Mary Chesnut’s Civil War and The Old World’s New World.

Michael Wood is the Charles Barnwell Straut Class of 1923 Professor of English and Comparative Literature at Princeton. His books include Literature and the Taste of Knowledge and Yeats and Violence

David Brion Davis is Sterling Professor of History Emeritus at Yale and Director Emeritus of Yale’s Gilder Lehrman Center for the Study of Slavery, Resistance, and Abolition. He is the author of Inhuman Bondage: The Rise and Fall of Slavery in the New World.

James McPherson is George Henry Davis ’86 Professor of American History Emeritus at Princeton. He was awarded the Pulitzer Prize in 1989 for Battle Cry of Freedom: The Civil War Era. His most recent book is War on the Waters: The Union and Confederates Navies, 1861-1865.

John Richardson’s A Life of Picasso, Volume Three, was published in 2007. Volume One won the Whitbread Prize in England in 1991.