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Contents

July 13, 1995 • Volume 42, Number 12

LETTERS

Contributors

Henry Allen is a cultural critic at The Washington Post. His new book, What It Felt Like, will be published in the fall. (March 2000)

Timothy Garton Ash is Professor of European Studies and Isaiah Berlin Professorial Fellow at St. Antony’s College, Oxford, and a Senior Fellow at the Hoover Institution, Stanford. He is the author of many books, including The Magic Lantern, an eyewitness account of the velvet revolutions of 1989. His most recent book is Facts Are Subversive: Political Writing from a Decade Without a Name. He is currently leading an Oxford University 
research project for the discussion of global free speech norms (www.freespeechdebate.com) and working on a book about free speech.

Joseph Brodsky (1940–1996) was a Russian poet and essayist. Born in Leningrad, Brodsky moved to the United States when he was exiled from Russia in 1972. His poetry collections include A Part of Speech andTo Urania; his essay collections include Less Than One, which won the National Book Critics Circle Award, and Watermark. In 1987, he was awarded the Nobel Prize for Literature. He served as US Poet Laureate from 1991 to 1992.

Stuart Hampshire (1914–2004) was an English philosopher. He taught at University College London, Princeton, Stanford and Oxford, where he was named Warden of Wadham College. His books include Thought and Action, Spinoza and Justice Is Conflict.

Christopher Hitchens (1949–2011) was a British-American journalist and social critic. Known for his confrontational style and contrarian views on a range of social issues, Hitchens was a frequent contributor to The Nation, The Atlantic, The Times Literary Supplement and Vanity Fair. Hitchens recounts his struggle with esophageal cancer in Mortality, which was published in 2012.

Richard Horton is a physician. He edits The Lancet, a weekly medical journal based in London and New York. He is also a visiting professor at the London School of Hygiene and Tropical Medicine.

Andrew Hacker teaches political science at Queens College. He is currently working on a book on mathematics with Claudia Dreifus.
 (January 2013)

Ian Buruma is the Henry R. Luce Professor at Bard. His books include Murderer in Amsterdam: The Death of Theo Van Gogh and the Limits of Tolerance, Taming the Gods: Religion and Democracy on Three Continents, and the novel The China Lover. His book Year Zero: A History of 1945 will be published in September 2013.

Jack F. Matlock Jr. was US Ambassador to the Soviet Union between 1987 and 1991 and is the author of Autopsy on an Empire. He is George F. Kennan Professor at the Institute for Advanced Study in Princeton. (February 2000)

Louis Menand is the Anne T. and Robert M. Bass Professor of English at Harvard. His books include The Marketplace of Ideas, American Studies and The Metaphysical Club.

Norman Mailer (1923-2007) was born in Long Branch, New Jersey, and grew up in Brooklyn, New York. In 1955 he co-founded The Village Voice. He is the author of more than thirty books, including The Naked and the Dead; The Armies of the Night, for which he won a National Book Award and the Pulitzer Prize; The Executioner’s Song, for which he won his second Pulitzer Prize; Harlot’s Ghost; Oswald’s Tale; The Gospel According to the Son; and The Castle in the Forest.

Stanley Hoffmann is Paul and Catherine Buttenwieser University Professor at Harvard. His most recent books are Chaos and Violence: What Globalization, Failed States, and Terrorism Mean for US Foreign Policy and Rousseau and Freedom, coedited with Christie McDonald.


Hugh Honour is the author, with John Fleming, of The Visual Arts: A History, which has recently been published in its sixth expanded edition. (November 2002)

Murray Kempton (1917-1997) was a columnist for Newsday, as well as a regular contributor to The New York Review of Books. His books include Rebellions, Perversities, and Main Events and The Briar Patch, as well as Part of Our Time. He won the Pulitzer Prize in 1985.

Joseph Kerman is emeritus professor of music at the University of California, Berkeley. He began writing music criticism for The Hudson Review in the 1950s, and is a longtime contributor to The New York Review of Books and many other journals. His books include Opera as Drama (1956; new and revised edition 1988), The Beethoven Quartets (1967), Contemplating Music (1986), Concerto Conversations (1999), and The Art of Fugue (2005).