Contents

July 13, 1995 • Volume 42, Number 12

LETTERS

Contributors

Ian Buruma is the Henry R. Luce Professor at Bard and a Cullman Fellow at the New York Public Library. His latest book is Taming the Gods: Religion and Democracy on Three Continents.


Jack F. Matlock Jr. was US Ambassador to the Soviet Union between 1987 and 1991 and is the author of Autopsy on an Empire. He is George F. Kennan Professor at the Institute for Advanced Study in Princeton. (February 2000)

Louis Menand is the Anne T. and Robert M. Bass Professor of English at Harvard University and a staff writer at The New Yorker. He is the author of Discovering Modernism, The Metaphysical Club, American Studies, and The Marketplace of Ideas.

Norman Mailer (1923-2007) was born in Long Branch, New Jersey, and grew up in Brooklyn, New York. In 1955 he co-founded The Village Voice. He is the author of more than thirty books, including The Naked and the Dead; The Armies of the Night, for which he won a National Book Award and the Pulitzer Prize; The Executioner’s Song, for which he won his second Pulitzer Prize; Harlot’s Ghost; Oswald’s Tale; The Gospel According to the Son; and The Castle in the Forest.

Stanley Hoffmann is Paul and Catherine Buttenwieser University Professor at Harvard. His most recent books are Chaos and Violence: What Globalization, Failed States, and Terrorism Mean for US Foreign Policy and Rousseau and Freedom, coedited with Christie McDonald.


Hugh Honour is the author, with John Fleming, of The Visual Arts: A History, which has recently been published in its sixth expanded edition. (November 2002)

Murray Kempton (1917-1997) was a columnist for Newsday, as well as a regular contributor to The New York Review of Books. His books include Rebellions, Perversities, and Main Events and The Briar Patch, as well as Part of Our Time. He won the Pulitzer Prize in 1985.

Joseph Kerman is emeritus professor of music at the University of California, Berkeley. He began writing music criticism for The Hudson Review in the 1950s, and is a longtime contributor to The New York Review of Books and many other journals. His books include Opera as Drama (1956; new and revised edition 1988), The Beethoven Quartets (1967), Contemplating Music (1986), Concerto Conversations (1999), and The Art of Fugue (2005).