Felicia’s Journey by William Trevor
Felicia’s Journey by William Trevor
James McNeill Whistler 28-August 20, 1995 an exhibition at the National Gallery of Art, Washington, DC, May
James McNeill Whistler by Richard Dorment, by Margaret F. MacDonald
James McNeill Whistler: Beyond the Myth by Ronald Anderson, by Anne Koval
The Gentle Art of Making Enemies by James McNeill Whistler
Whistler on Art: Selected Letters and Writings of James McNeill Whistler edited by Nigel Thorp
Nadar 14-July 9, 1995 an exhibition at the Metropolitan Museum of Art, New York, April
Nadar catalog of the exhibition by Maria Morris Hambourg, by Françoise Heilbrun, by Philippe Néagu, with contributions by Sylvie Aubenas, by André Jammes, by Ulrich Keller, by Sophie Rochard, by André Rouillé
The Age of Extremes: A History of the World, 19141991 by Eric Hobsbawm
Marie Curie: A Life by Susan Quinn
Tally’s Corner: A Study of Negro Streetcorner Men by Elliot Liebow
The Correspondence of Walter Benjamin, 19101940 edited and annotated by Gershom Scholem, by Theodor W. Adorno, translated by Manfred Jacobson, translated by Evelyn Jacobson
Theodore H. Draper (1912–2006) was an American historian. Educated at City College, he wrote influential studies of the American Communist Party, the Cuban Revolution and the Iran-Contra Affair. Draper was a fellow of the American Academy of Arts and Sciences and the 1990 recipient of the Herbert Feis Award from the American Historical Association.
Freeman Dyson has spent most of his life as a professor of physics at the Institute for Advanced Study in Princeton, taking time off to advise the US government and write books for the general public. He was born in England and worked as a civilian scientist for the Royal Air Force during World War II. He came to Cornell University as a graduate student in 1947 and worked with Hans Bethe and Richard Feynman, producing a user-friendly way to calculate the behavior of atoms and radiation. He also worked on nuclear reactors, solid-state physics, ferromagnetism, astrophysics, and biology, looking for problems where elegant mathematics could be usefully applied.
Dyson’s books include Disturbing the Universe (1979), Weapons and Hope (1984), Infinite in All Directions (1988), Origins of Life (1986, second edition 1999), The Sun, the Genome and the Internet (1999), and A Many-Colored Glass: Reflections on the Place of Life in the Universe (2010). He is a fellow of the American Physical Society, a member of the National Academy of Sciences, and a fellow of the Royal Society of London. In 2000 he was awarded the Templeton Prize for Progress in Religion.
John Golding (1929–2012) was a British painter and art historian. He taught at the Courtauld Institute and the Royal College of Art. Among his many books was Cubism: A History and an Analysis, which refuted the notion that Cubism represented a break with the realist tradition. Golding also curated exhibitions on both sides of the Atlantic, including Picasso: Painter/Sculpter and Matisse Picasso.
Tony Judt (1948–2010) was the founder and director of the Remarque Institute at NYU and the author of Postwar: A History of Europe Since 1945, Ill Fares the Land, and The Burden of Responsibility: Blum, Camus, Aron, and the French Twentieth Century, among other books.
Richard C. Lewontin is Alexander Agassiz Professor of Zoology and Professor of Biology at Harvard University. He is the author of The Genetic Basis of Evolutionary Change and Biology as Ideology, and the co-author of The Dialectical Biologist (with Richard Levins) and Not in Our Genes (with Steven Rose and Leon Kamin).
John Updike (1932–2009) was born in Shillington, Pennsylvania. In 1954 he began to publish in The New Yorker, where he continued to contribute short stories, poems, and criticism until his death. His major work was the set of four novels chronicling the life of Harry “Rabbit: Angstrom, he two of which, Rabbit is Richand Rabbit at Rest, won the Pulitzer Prize for Fiction. His last books were the novel The Widows of Eastwick and Due Considerations, a collection of his essays and criticism.