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Alfred Kazin
Laughter in the Dark
Shadows on the Hudson by Isaac Bashevis Singer, Translated from the Yiddish by Joseph Sherman
Isaac Bashevis Singer: A Life by Janet Hadda
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Alfred Brendel
Two Poems (poem)
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Hugh Thomas
Remember the Maine?
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Steve Jones
In the Genetic Toyshop
Clone: The Road to Dolly and the Path Ahead by Gina Kolata
The Biotech Century: Harnessing the Gene and remaking the World by Jeremy Rifkin
Consilience: The Unity of Knowledge by Edward O. Wilson
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John Ashbery
Tenebrae (poem)
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Joan Didion
Varieties of Madness
The Unabomber Manifesto "FC."
A Beautiful Mind by Sylvia Nasar
Drawing Life by David Gelernter
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James Fenton
How Great Art Was Made
Gian Lorenzo Bernini: Sketches in Clay Museum, Cambridge, Massachusetts, opened February 28, 1998 an installation from the permanent collection at the Fogg Art
Bernini’s Rome: Italian Baroque Terracottas from the State Hermitage, St. Petersburg 1998; Philadelphia Museum of Art, May 16-August 2, 1998 an exhibition at the Art Institute of Chicago, February 28-May 3,
From the Sculptor’s Hand: Italian Baroque Terracottas from the State Hermitage Museum catalog of the Chicago exhibition organized by Ian Wardropper
Bernini: Genius of the Baroque by Charles Avery, special photography by David Finn
Bernini’s Scala Regia at the Vatican Palace: Architecture, Sculpture, and Ritual by T.A. Marder
Italian Baroque Sculpture by Bruce Boucher
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Barbara Smith
Algeria: The Horror
The Islamist Challenge in Algeria: A Political History by Michael Willis
The Agony of Algeria by Martin Stone
Unbowed: An Algerian Woman Confronts Islamic Fundamentalism by Khalida Messaoudi, with Elisabeth Schemla, translated by Anne C. Vila
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William H. McNeill
How the West Won
The Wealth and Poverty of Nations: Why Some Are So Rich and Some So Poor by David S. Landes
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Robert Cottrell
Russia’s Dream City
New Atlantis Revisited: Akademgorodok, the Siberian City of Science by Paul R. Josephson
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Ernst Gombrich
In the Giving Vein
Largesse by Jean Starobinski, translated by Jane Marie Todd
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Robin Robertson
Feeding the Fire (poem)
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Frank Kermode
The Midrash Mishmash
The Bible As It Was by James L. Kugel
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Richard Jenkyns
Cards of Identity
Possessed by the Past: The Heritage Crusade and the Spoils of History by David Lowenthal
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Eric L. McKitrick
JQA: For the Defense
John Quincy Adams: A Public Life, a Private Life by Paul C. Nagel
Amistad a film directed by Steven Spielberg, and produced by Steven Spielberg, by Debbie Allen, by Colin Wilson
Amistad an opera, musical score by Anthony Davis, libretto by Thulani Davis
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Mark Danner
Slouching Toward Dayton
To End a War by Richard Holbrooke
Sarajevo Daily: A City and Its Newspaper Under Siege by Tom Gjelten
The Choice: How Clinton Won by Bob Woodward
LETTERS
Contributors
Professor Sir Ernst Gombrich OM was born in Vienna in 1909 and died in London on November 3, 2001, aged 92. He studied at the Theresianum and then at the Second Institute of Art History at the University of Vienna under Julius von Schlosser (1928-33). He then worked as a Research Assistant and collaborator with the museum curator and Freudian analyst Ernst Kris. He joined the Warburg Institute in London as a Research Assistant in 1936. During World War 2 he was employed by the BBC as a Radio Monitor. After the war he rejoined the Warburg Institute eventually becoming its Director in 1959. His major publications include The Story of Art (1950), Art and Illusion: A Study in the Psychology of Pictorial Representation (1960), Aby Warburg: An Intellectual Biography (1970), The Sense of Order: A Study in the Psychology of Decorative Art. (Also see: www.gombrich.co.uk.)
James Fenton is a visiting fellow at the Cullman Center of the New York Public Library. (March 2012)


