Bech at Bay: A Quasi-Novel by John Updike
Acheson: The Secretary of State Who Created the American World by James Chace
Monet in the 20th Century 20-December 27, 1998, and the Royal Academy of Arts, London, January 23-April 18, 1999 an exhibition at the Museum of Fine Arts, Boston, September
Monet in the 20th Century Catalog of the exhibition by Paul Hayes Tucker, with George T.M. Shackelford, by MaryAnne Stevens, and essays by Romy Golan, by John House, by Michael Leja
Faust’s Metropolis: A History of Berlin by Alexandra Richie
Capital Dilemma: Germany’s Search for a New Architecture of Democracy by Michael Z. Wise
Threads of Time: Recollections by Peter Brook
Turnaround: How America’s Top Cop Reversed the Crime Epidemic by William Bratton, with Peter Knobler
Getting Away With Murder: How Politics Is Destroying the Criminal Justice System by Susan Estrich
Politics, Punishment, and Populism by Lord Windlesham
Toward Another Shore: Russian Thinkers Between Necessity and Chance by Aileen M. Kelly
The Last Word by Thomas Nagel
Walking in the Shade: Volume Two of My Autobiography, 1949-1962 by Doris Lessing
Autobiography of Red: A Novel in Verse by Anne Carson
Summer for the Gods: The Scopes Trial and America’s Continuing Debate over Science and Religion by Edward J. Larson
James Baldwin: Collected Essays
Noel Annan (1916–2000) was a British military intelligence officer and scholar of European history. His works include Leslie Stephen and Our Age, Changing Enemies: The Defeat and Regeneration of Germany, and The Curious Strength of Positivism in English Political Thought.
Ian Buruma is the author of many books, including The Wages of Guilt: Memories of War in Germany and Japan (1995), The Missionary and the Libertine: Love and War in East and West (1996), Murder in Amsterdam: The Death of Theo Van Gogh and the Limits of Tolerance (2006), and Year Zero: A History of 1945 (2013). He is the Paul W. Williams Professor of Human Rights and Journalism at Bard and a regular contributor to The New York Review of Books, The New Yorker, and The New York Times, among other publications. His new book is a collection of essays from these pages, Theater of Cruelty: Art, Film, and the Shadows of War. His book Year Zero: A History of 1945 is now out in paperback.
Robert L. Herbert, after a long career at Yale, is now Andrew W. Mellon Professor Emeritus of Humanities at Mount Holyoke. He is a member of the American Academy of Arts and Sciences and the American Philosophical Society, and has been named Officier dans l’Ordre des Arts et des Lettres by the French Government. Among his books are Impressionism: Art, Leisure and Parisian Society, Nature’s Workshop: Renoir’s Writings on the Decorative Arts, and Seurat: Drawings and Paintings. His most recent book is Seurat and the Making of La Grande Jatte.
Daniel J. Kevles is Stanley Woodward Professor of History at Yale. His recent works include The Baltimore Case and he is currently completing a history of intellectual property in plants, animals, and people.
Bernard Knox (1914–2010) was an English classicist. He was the first director of Harvard’s Center for Hellenic Studies in Washington, DC. Among his many books are The Heroic Temper, The Oldest Dead White European Males, and Backing into the Future: The Classical Tradition and Its Renewal. He is the editor of The Norton Book of Classical Literature and wrote the introductions and notes for Robert Fagles’s translations of the Iliad and the Odyssey.
David Lodge is a novelist and critic and Emeritus Professor of English Literature at the University of Birmingham, England. His novels include Changing Places, Small World, Nice Work, and A Man of Parts. His most recent works of criticism are Consciousness and the Novel and The Year of Henry James.
Czeslaw Milosz (1911–2004) was born in Szetejnie, Lithuania. Over the course of his long and prolific career he published works in many genres, including criticism (The Captive Mind), fiction (The Issa Valley), memoir (Native Realm), and poetry (New and Collected Poems, 1931-2001). He was a member of the American Academy and Institute of Arts and Letters and was awarded the Nobel Prize for Literature in 1980.
Darryl Pinckney, a longtime contributor to The New York Review of Books, is the author of a novel, High Cotton, and Out There: Mavericks of Black Literature. He has worked for Robert Wilson on various theatrical projects, most recently an adaptation of Daniil Kharms’s The Old Woman.
Tatyana Tolstaya was born in Leningrad in 1951 to an aristocratic family that includes the writers Leo and Alexei Tolstoy. After completing a degree in classics at Leningrad State University, Tolstaya worked for several years at a Moscow publishing house. In the mid-1980s, she began publishing short stories in literary magazines and her first story collection established her as one of the foremost writers of the Gorbachev era. She spent much of the late Eighties and Nineties living in the United States and teaching at several universities. Known for her acerbic essays on contemporary Russian life, Tolstaya has also been the co-host of the Russian cultural interview television program School for Scandal. Both her novel, The Slynx and her collection of stories, White Walls, are published by NYRB Classics.
Bernard Williams (1929–2003) was Deutsch Professor of Philosophy at the University of California, Berkeley, and a Fellow of All Souls College, Oxford. His books include *Problems of the Self*, *Moral Luck*, *Ethics and the Limits of Philosophy*, and *Truth and Truthfulness*.