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Contents

January 14, 1999 • Volume 46, Number 1

LETTERS

Contributors

John Banville was born in Wexford, Ireland in 1945. He is the author of many novels, including The Book of Evidence, The Untouchable, Eclipse, The Sea (winner of the Man Booker Prize), and Ancient Light. As Benjamin Black he has written six crime novels, including Vengeance.

Anne Barton is a Fellow of Trinity College, Cambridge. She is the author of Essays, Mainly Shakespearean.

Richard Dorment is the art critic of the Daily Telegraph. Among the exhibitions he has organized is “James McNeill Whistler,” seen at the Tate Gallery, London, the Musée d’Orsay, Paris, and the National Gallery of Art, Washington, D.C. 
(June 2013)

Robert Darnton is Carl H. Pforzheimer University Professor and University Librarian at Harvard. His latest book is Poetry and the Police: Communication Networks in Eighteenth-Century Paris.


Ronald Dworkin (1931–2013) was Professor of Philosophy and Frank Henry Sommer Professor of Law at NYU. His books include Is Democracy Possible Here?, Justice in Robes, Freedom’s Law, and Justice for Hedgehogs. He was the 2007 winner of the Ludvig Holberg International Memorial Prize for “his pioneering scholarly work” of “worldwide impact” and he was recently awarded the Balzan Prize for his “fundamental contributions to Jurisprudence.”


James Fallows is National Correspondent for The Atlantic.His books include Free Flight: Inventing the Future of Travel, Blind into Baghdad: America’s War in Iraq, and China Airborne.

Timothy Garton Ash is Professor of European Studies and Isaiah Berlin Professorial Fellow at St. Antony’s College, Oxford, and a Senior Fellow at the Hoover Institution, Stanford. He is the author of many books, including The Magic Lantern, an eyewitness account of the velvet revolutions of 1989. His most recent book is Facts Are Subversive: Political Writing from a Decade Without a Name. He is currently leading an Oxford University 
research project for the discussion of global free speech norms (www.freespeechdebate.com) and working on a book about free speech.

Joan Acocella is a staff writer for The New Yorker. She is the author of Mark Morris, Creating Hysteria: Women and Multiple Personality Disorder, and Willa Cather and the Politics of Criticism. She also edited the recent, unexpurgated Diary of Vaslav Nijinsky. Her article in the May 23, 2013 issue is adapted from her introduction to a new edition of Isadora Duncan’s My Life, published in May 2013 by Liveright.


Alma Guillermoprieto often writes on Latin America in these pages. She lives in Mexico City. (November 2012)

W.S. Merwin was born in New York City in 1927 and grew up in Union City, New Jersey, and in Scranton, Pennsylvania. From 1949 to 1951 he worked as a tutor in France, Portugal, and Majorca. He has since lived in many parts of the world, most recently on Maui in the Hawaiian Islands. He is the author of many books of poems, prose, and translations and has received both the Pulitzer and the Bollingen Prizes for poetry, among numerous other awards.

Adam Michnik is Editor in Chief of the Warsaw daily newspaper Gazeta Wyborcza. His piece in this issue will appear in Andrei Sakharov and Human Rights, a collection of Sakharov’s writings that is being published by the Council of Europe this month. (January 2011)

John Ryle is Chair of the Rift Valley Institute, a network of regional specialists working in East and Northeast Africa. (August 2004)

George Soros is Chairman of Soros Fund Management LLC and the Open Society Foundations. (September 2012)

Jeff Madrick writes an economics column for Harper’s Magazine, is editor of Challenge Magazine, and is director of the Rediscovering Government Initiative at the Roo­sevelt Institute. His most recent book is Age of Greed: The Triumph of Finance and the Decline of America.

Sam Tanenhaus is the editor of The New York Times Book Review and the author of The Death of Conservatism.
 (May 2012)

Henri Zerner, Professor of History of Art and Architecture at Harvard, is the author of Renaissance Art in France: The Invention of Classicism and Écrire l’histoire de l’art: Figures d’une discipline.

Gabriele Annan is a book and film critic living in London. (March 2006)