Enough: Staying Human in an Engineered Age by Bill McKibben
Enough: Staying Human in an Engineered Age by Bill McKibben
Memoirs by David Rockefeller
Elie Nadelman: Sculptor of Modern Life Catalog of the exhibitionby Barbara Haskell
Crabwalk by Günter Grass, translated from the German by Krishna Winston
What Went Wrong? The Clash Between Islam and Modernity in the Middle East by Bernard Lewis
The Crisis of Islam: Holy War and Unholy Terror by Bernard Lewis
Islam in a Globalizing World by Thomas W. Simons Jr.
The Shade of Swords: Jihad and the Conflict Between Islam and Christianity by M.J. Akbar
Islam: A Short History by Karen Armstrong
Me of All People: Alfred Brendel in Conversation with Martin Meyer translated by Richard Stokes
Mozart Piano Sonatas, K. 310, K. 311, and K. 533/494; Fantasy in D Minor, K. 397 Alfred Brendel, pianist
Alfred Brendel Live in Salzburg Alfred Brendel, pianist
Dreizehn Engel/Thirteen Angels: Poems by Alfred Brendel; Etchings, Drawings, and Sculptures by George Nama Catalog of the exhibition edited by Elisabeth Kashey
Vladimir de Pachmann: A Piano Virtuoso’s Life and Art by Mark Mitchell
Pachmann, the Mythic Pianist: 1907–1927 Recordings
The Search for the Buddha: The Men Who Discovered India’s Lost Religion by Charles Allen
The Light of Day by Graham Swift
Rory & Ita by Roddy Doyle
The Speckled People by Hugo Hamilton
Evil in Modern Thought: An Alternative History of Philosophy by Susan Neiman
Gulag: A History by Anne Applebaum
The First Americans: In Pursuit of Archaeology’s Greatest Mystery by J.M. Adovasio with Jake Page
America Before the European Invasions by Alice Beck Kehoe
Republic of Debtors: Bankruptcy in the Age of American Independence by Bruce H. Mann
A Free Nation Deep in Debt: The Financial Roots of Democracy by James Macdonald
A Thread Across the Ocean: The Heroic Story of the Transatlantic Cable by John Steele Gordon
The Great Nation: France from Louis XV to Napoleon, 1715–99 by Colin Jones
The Story of Our Lives, with The Monument and The Late Hour by Mark Strand
Looking for Poetry: Poems by Carlos Drummond de Andrade and Rafael Alberti, and Songs from the Quechua translated by Mark Strand
Margaret Atwood is the author of more than forty books of fiction, poetry, and critical essays, including the 2000 Booker Prize–winning The Blind Assassin; Alias Grace, which won the Giller Prize and the Premio Mondello; The Robber Bride, Cat’s Eye, The Handmaid’s Tale, and The Penelopiad. Her latest work is a book of short stories called Stone Mattress: Nine Tales (2014). Her newest novel, MaddAddam (2013) is the third in a trilogy comprising The Year of the Flood (2009) and the Giller and Booker Prize–nominated Oryx and Crake (2003). Atwood lives in Toronto with the writer Graeme Gibson.
Ian Buruma has been a frequent contributor to The New York Review of Books since 1985 and the magazine’s editor since September 2017. From 2003 to 2017 he was professor of human rights, democracy and journalism at Bard College. Buruma was born in 1951 in The Hague, Holland. He was educated at Leyden University, where he studied Chinese literature and history, and at Nihon University College of Arts, in Tokyo, where he studied cinema. Living in Japan from 1975 to 1981, Buruma worked as a film reviewer, photographer, and documentary filmmaker. In the 1980s, Buruma was based in Hong Kong, where he edited the cultural section of the Far Eastern Economic Review, and from where he later travelled all over Asia as a freelance writer. Buruma was a fellow of the Wissenschaftskolleg in Berlin in 1991, and a fellow of the Woodrow Wilson Center in Washington DC in 1999. He is a fellow of the European Council of Foreign Relations and a board member of Human Rights in China. In 2008, Buruma won the Erasmus Prize for “exceptional contributions to culture society, or social sciences in Europe.” Buruma has written seventeen books, including The Wages of Guilt (1995), Murder in Amsterdam (2006), Year Zero (2013), and Theater of Cruelty (2014). He has won several prizes for his books, including the LA Times Book Prize for Murder in Amsterdam, and PEN-Diamonstein Spielvogel award for the art of the essay for Theater of Cruelty.
J.M. Coetzee is Professorial Research Fellow at the University of Adelaide. He is the author of sixteen works of fiction, as well as numerous works of criticism and translation. He was awarded the Nobel Prize in Literature in 2003. His story in this issue is adapted from Moral Tales, a forthcoming collection. (December 2017)
Tim Flannery is the author of Chasing Kangaroos: A Continent, a Scientist, and a Search for the World’s Most Extraordinary Creature and, most recently, Atmosphere of Hope: Searching for Solutions to the Climate Crisis. (December 2017)
Clifford Geertz (1926–2006) was an anthropologist. Widely recognized as the most influential American anthropologist of the twentieth century, Geertz championed the role of symbols in the creation and interpretation of social meaning. His many books include Peddlers and Princes: Social Development and Economic Change in Two Indonesian Towns and Available Light: Anthropological Reflections on Philosophical Topics.
Stanley Hoffmann (1928-2015) was the Paul and Catherine Buttenwieser University Professor at Harvard. His most recent books are Chaos and Violence: What Globalization, Failed States, and Terrorism Mean for US Foreign Policy and Rousseau and Freedom, coedited with Christie McDonald.
Michael Kimmelman is a longtime critic for The New York Times. A version of his essay in this issue will appear in the collection City Squares: Eighteen Writers on the Spirit and Significance of Squares Around the World, edited by Catie Marron and published in April by Harper. (April 2016)
Mark Lilla is Professor of Humanities at Columbia. With New York Review Books he has published The Shipwrecked Mind: On Political Reaction (2016), The Reckless Mind: Intellectuals in Politics (2nd. ed., 2016), and, with Robert Silvers and Ronald Dworkin, The Legacy of Isaiah Berlin (2001). His other books include G.B. Vico: The Making of an Anti-Modern (1994), The Stillborn God: Religion, Politics, and the Modern West (2007), and, most recently, The Once and Future Liberal: On Political Reaction (2017). He was the 2015 Overseas Press Club of America winner of the Best Commentary on International News in Any Medium for his New York Review series “On France.” Visit marklilla.com.
Jean Strouse, Director of the Dorothy and Lewis B. Cullman Center for Scholars and Writers at the New York Public Library and the author of Alice James, A Biography and Morgan: American Financier, is writing a book about John Singer Sargent’s twelve portraits of the Asher Wertheimer family.
John Updike (1932–2009) was born in Shillington, Pennsylvania. In 1954 he began to publish in The New Yorker, where he continued to contribute short stories, poems, and criticism until his death. His major work was the set of four novels chronicling the life of Harry “Rabbit” Angstrom, two of which, Rabbit is Rich and Rabbit at Rest, won the Pulitzer Prize for Fiction. His last books were the novel The Widows of Eastwick and Due Considerations, a collection of his essays and criticism.
Michael Wood is Professor Emeritus of English and Comparative Literature at Princeton. He is the author of Hitchcock: The Man Who Knew Too Much and America in the Movies, among other books. (May 2017)