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Caroline Blackwood (1931-1996) was born into a rich Anglo-Irish aristocratic family. She rebelled against her background at an early age and led a hectic and bohemian life, which included marriages to the painter Lucian Freud, the pianist and composer Israel Citkowitz, and the poet Robert Lowell. In the 1970s Blackwood began to write. Among her books are several novels, including Great Granny Webster and Corrigan (both available as NYRB Classics); On the Perimeter, an account of the women's anti-nuclear protest at Greenham Common; and The Last of the Duchess, about the old age of the Duchess of Windsor. »
Andrew Solomon is a regular contributor to The New Yorker, Artforum, and The New York Times Magazine, and the author of The Irony Tower: Soviet Artists in a Time of Glasnost; the novel A Stone Boat; and The Noonday Demon: An Atlas of Depression, for which he received the National Book Award and a Pulitzer Prize nomination. He lives in New York City and London. »
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Corrigan
Corrigan is at once a mordant comedy of manners and a very modern morality play. Since her husband's death, the increasingly frail Mrs. Blunt has had only her trips to his grave to look forward to. Her raucous housekeeper's conversation, and cooking, are best forgotten. Nadine, her daughter, is an infrequent, uneasy visitor. Then one day a charming, wheelchair-bound Irishman shows up at Mrs. Blunt's door in search of charitable contributions. Corrigan is an arch manipulator, Mrs. Blunt is his mark, and before long we realize that they are made for each other. As the two grow ever more entrenched, Nadine fears for her mother's safety (or is it for her own inheritance?).
With Corrigan Caroline Blackwood takes a long, hard look at our dearly beloved notions of saints and sinners, victims and villains, patrimony and present pleasureand winks.
Read the afterword (PDF)
Reviews
Some may complain Miss Blackwood's style is that of a highly gifted reporter rather than a novelist, but that is to underrate both the imaginative quality of her detail and the architectural subtlety with which she builds it into her text. I find her unique and utterly compelling.
Jacky Gilott, The Times (London)
Funny, frightening and immensely enjoyable. The author writes with an appalled, amused intensity that is completely original but without a trace of pretentiousness. The result is unexpectedly powerful, like a box of chocolates with amphetamine centers.
Francis Wyndham, Sunday Times (London)
A fine creationmanic, at times demonic.
Penelope Lively, Sunday Telegraphy
Caroline Blackwood combines a childlike neatness and exactitude of expression with an adult susceptibility to the charm of the unexpected and devious: an effective mix.
The Times Literary Supplement
Domesticity for Miss Blackwood has never been cozy; she listens for the ticking of the time bomb in the teapot.
Carolyn Geiser, The New York Times Book Review
Also see:
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Great Granny Webster
By Caroline Blackwood Introduction by Honor Moore
This macabre, mordantly funny, partly auto-biographical novel reveals the gothic craziness behind the scenes in the great houses of the aristocracy, as witnessed through the unsparing eyes of an orphaned teenage girl.
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Format: Paperback
Retail Price: $14.95
Price: $11.21 (25% off)
Aug 1, 2002
328 pages
ISBN: 1590170067 9781590170069
Literature in English
NYRB Classics
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