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Private Collection/Terry Winters/Matthew Marks Gallery

‘Terry Winters: Facts and Fictions’

“The show at the Drawing Center, ably curated by Claire Gilman, restrained though it is by the modest size of the space, is a robust sampling of the last thirty-five years of Winters’s career,” writes David Salle, “with larger works on the walls and smaller, unframed sheets presented in three long vitrines in the middle of the room. The selection shows that Winters’s visual vocabulary has ranged widely over the years, but what impressed me the most is how consistently he has dug down deeply into the nature of his materials to extract from them his broader concerns: for systems, the underlying order of naturally occurring structures, mathematical theory, mapping, topology, and other representations of time and space.

“At the start, in the late 1970s and early 1980s, Winters was taken up with images and structural ideas informed by the world of biology, botany, mitosis, cellular structure, and the like. Somewhat as an organism itself evolves, by the late 1980s and early 1990s he shifted his concern to the larger, or smaller, patterns or systems that underlie the natural world and comprise it. He engaged, in the way that a visual artist can, with the ideas of astronomy, physics, and mathematics. It was as if he suddenly looked up, turning his gaze from the pinecone’s helix to the heavens, to celestial evidence of star formation, dispersal, and extinction.

“In this later phase of Winters’s drawing, we see the grid loosened, the woof, or the warp, warped. The space in a Winters drawing is very free. Optically speaking, he works with shifting points of view, placing the viewer at various oblique angles to the webs of marks on the surface. Like an open-weave wall hanging taken down and stretched at an angle to the viewer, some drawings provide a worm’s-eye view, looking across a receding plane, and that plane, seen in perspective, might have openings through which can be glimpsed another, differently conceived world of marks. Winters’s drawing hand can do a lot of different things. Dust motes and space dirt. A Milky Way of cosmic dust blown across the sky. Marks spilling down as if through a funnel, or boiling over, or thrust upward like a shower of sparks.”

For more information, visit drawingcenter.org.

Category: Exhibition
Drawing Center
35 Wooster Street,
New York, NY