Exif II* z > F ( 1 $ N 2 r I i ‘Archangel Harquebusier’; by an anonymous Cuzco artist, circa 1690–1720. As Luis Eduardo Wuffarden writes in Painting in Latin America, ‘harquebusier archangels constituted another clear local contribution to religious iconography. Unlike the warrior angels of Europe, who appear armed in the manner of ancient Romans, the winged figures of the Andean world carry firearms and wear contemporary costumes in the style of royal guards.’ - ' - ' Adobe Photoshop CC 2014 (Macintosh) 2015-06-16T22:07:50-04:00 Museo Nacional de Arqueología, Antropología e Historia del Perú, Lima 0220 T T Ducky U http://ns.adobe.com/xap/1.0/ ‘Archangel Harquebusier’; by an anonymous Cuzco artist, circa 1690–1720. As Luis Eduardo Wuffarden writes in <i>Painting in Latin America</i>, ‘harquebusier archangels constituted another clear local contribution to religious iconography. Unlike the warrior angels of Europe, who appear armed in the manner of ancient Romans, the winged figures of the Andean world carry firearms and wear contemporary costumes in the style of royal guards.’ Museo Nacional de Arqueología, Antropología e Historia del Perú, Lima `Photoshop 3.0 8BIM (Z %G x‘Archangel Harquebusier’; by an anonymous Cuzco artist, circa 1690–1720. As Luis Eduardo Wuffarden writes in Painting in Latin America, ‘harquebusier archangels constituted another clear local contribution to religious iconography. Unlike the warrior angels of Europe, who appear armed in the manner of ancient Romans, the winged figures of the Andean world carry firearms and wear contemporary costumes in the style of royal guards.’i ‘Archangel Harquebusier’; by an anonymous Cuzco artist, circa 1690–1720. As Luis Eduardo Wuffarden writes in Painting in Latin America, ‘harquebusier archangels constituted another clear local contribution to religious iconography. Unlike tt HMuseo Nacional de Arqueología, Antropología e Historia del Perú, Lima8BIM% 44(̀5J Adobe d
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