The Strangers in the House

By Georges Simenon
Translated by Geoffrey Sainsbury
Introduction by P.D. James

Dirty, drunk, unloved, and unloving, Hector Loursat has been a bitter recluse for eighteen long years—ever since his wife abandoned him and their newborn child to run off with another man. Once a successful lawyer, Loursat now guzzles burgundy and buries himself in books, taking little notice of his teenage daughter or the odd things going on in his vast and ever-more-dilapidated mansion. But one night the sound of a gunshot penetrates the padded walls of Loursat's study, and he is forced to investigate. What he stumbles on is a murder.

Soon Loursat discovers that his daughter and her friends have been leading a dangerous secret life. He finds himself strangely drawn to this group of young people, and when one of them is accused of the murder, he astonishes the world by taking up the young man's defense.

In The Strangers in the House, Georges Simenon, master chronicler of the dark side of the human heart, gives us a detective story that is also a tale of an improbable redemption.

Reviews

Like Patricia Highsmith, Simenon grasped the psychopathology of the twentieth century at its intractable roots
— Gary Indiana, New York

The romans durs are extraordinary: tough, bleak, offhandedly violent, suffused with guilt and bitterness, redolent of place (Simenon is unsurpassed as a scene setter), utterly unsentimental, frightening in the pitilessness of their gaze, yet wonderfully entertaining. They are also more philosophically profound than any of the fiction of Camus or Sartre, and far less self-conscious. This is existentialism with a backbone of tempered steel.
— John Banville, The New Republic

Also see:

Dirty Snow By Georges Simenon Translated from the French by Marc Romano and Louise Varese Afterword by William T. Vollmann Dirty Snow, widely acknowledged as one of Simenon's finest books, is a study of the criminal mind comparable to Jim Thompson's The Killer Inside Me.

Three Bedrooms in Manhattan By Georges Simenon Translated from the French by Marc Romano and Lawrence G. Blochman Introduction by Joyce Carol Oates An actor and a divorcée meet in a deserted New York City bar. With little in common save loneliness, middle age, and a presentiment of escape, they improvise a love story.

Monsieur Monde Vanishes By Georges Simenon Translated from the French by Jean Stewart Introduction by Larry McMurtry Unsurpassed as an evocation of milieu, whether of staid bourgeois propriety or waterfront seediness, Monsieur Monde Vanishes is another triumph by the twentieth century's greatest popular novelist.

Tropic Moon By Georges Simenon Translated from the French by Marc Romano Introduction by Norman Rush In Tropic Moon, Simenon, the master of the psychological novel, offers an incomparable picture of degeneracy and corruption in a colonial outpost.

The Man Who Watched Trains Go By By Georges Simenon Translated from the French by Marc Romano Introduction by Luc Sante How different are the cautious routines of ordinary life from the compulsions of a killer? How reliable is even the most reliable man's identity? What finally is the truth about a person?

Red Lights By Georges Simenon Translated by Norman Denny Introduction by Anita Brookner Red Lights, one of Simenon's romans durs, is a dark and brilliant gaze at marriage, and is Simenon writing the American psyche at his best.

The Engagement By Georges Simenon Afterword by John Gray New translation by Anna Moschovakis One of the most chilling and compassionate of Simenon's extraordinary psychological novels, The Engagement explores the mystery of a blameless heart in a compromised soul.

The Widow By Georges Simenon Translated from the French by John Petrie Introduction by Paul Theroux Two outcasts, a widow and a recently released murderer, become involved in a love triangle with the girl next door. Published in the same year and often compared to The Stranger, The Widow is one of Simenon's most powerful and disturbing romans durs.

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