Edmond de Goncourt (1822–1896) and Jules de Goncourt (1830–1870) spent the majority of their lives in Paris. Having attended the finest schools, the Goncourts formed one of the most famous literary partnerships. After an unsuccessful novel and some attempts at drama, they began publishing books on various aspects of art and society in eighteenth-century France. Between 1860 and 1869 the brothers published six novels which they described as "history which might have taken place" and which were as carefully documented as their historical works. »

Geoff Dyer is the author of three novels, a critical study of John Berger, and four genre-defying books. He lives in London. »

Robert Baldick was a Fellow of Pembroke College, Oxford, and of the Royal Society of Literature. He wrote a number of histories and biographies, and translated the works of a wide range of French authors. He was a joint editor of Penguin Classics and one of Britain's leading French scholars until his death in 1972. »

Pages from the Goncourt Journals

By Edmond and Jules de Goncourt
Foreword by Geoff Dyer
Edited and Translated by Robert Baldick

The journal of the brothers Edmond and Jules de Goncourt is one of the masterpieces of nineteenth-century French literature, a work that in its richness of color, variety, and seemingly casual perfection bears comparison with the great paintings of their friends and contemporaries the Impressionists.

Born nearly ten years apart into a French aristocratic family, the two brothers formed an extraordinarily productive and enduring literary partnership, collaborating on novels, criticism, and plays that pioneered the new aesthetic of naturalism. But the brothers' talents found their most memorable outlet in their journal, which is at once a chronicle of an era, an intimate glimpse into their lives, and the purest expression of a nascent modern sensibility preoccupied with sex and art, celebrity and self-exposure. The Goncourts visit slums, brothels, balls, department stores, and imperial receptions; they argue over art and politics and trade merciless gossip with and about Hugo, Baudelaire, Degas, Flaubert, Zola, Rodin, and many others. And in 1871, Edmond maintains a vigil as his brother dies a slow and agonizing death from syphilis, recording every detail in the journal that he would continue to maintain alone for another two decades.

Read an excerpt (PDF)


Reviews

The literary liveliness of the belle époque is exactly caught. Plushy, sleazy-sexy, cocottish—yes; but the accompaniment to all this is a passionate and unqualified concern for good writing, and an abundance of power.
Punch

Piquant anecdotes form the inexhaustible material of Goncourt's journal and provide the reader with endless entertainment for many solitary evenings. Goncourt knew how to listen, just as he knew how to see.
— Marcel Proust

The Goncourt brothers were pioneers in the realm of realistic, almost clinical fiction. But Zola, Daudet, Maupassant reaped the fame which the Goncourts considered as their due...They were pioneers also as historians of eighteenth-century society...Mr. Baldick...has written a terse and suggestive introduction for this handsome book.
The New York Times

Also see:

Parisian Life Collection

The Dud Avocado, Memoirs of Montparnasse, Pages from the Goncourt Journals, and Witch Grass


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Format: Paperback
Retail Price: $16.95
Price: $13.56 (20% off)


Nov 14, 2006
456 pages
ISBN: 159017190X
9781590171905
Biography & Memoir
All Literature in Translation
NYRB Classics
Literature in French

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