Farrar, Straus & Giroux, 402 pp., $6.75
Farrar, Straus & Giroux, 304 pp., $5.95
Isaac Babel was the most telling writer of abrupt stories to come out of the Russian revolution. This gentle Jew was a man who hit one in the belly. More important he had—what is indispensable to short stories—a distinct voice. Made famous by Red Cavalry and the Odessa stories—he was rewarded with a very pretty dacha—he worked under Gorki's influence and protection as a writer precariously accepted by the regime but increasingly restless and finally silent under it as a person and an artist; he was allowed to go to Paris and Italy, but his foreign contacts must have brought him under suspicion; he was arrested, secretly tried, and presumably executed, in the general Stalinist attack on the arts in 1939. A blunt story—rather like one of his own. His works vanished; references to them were cut out of histories and criticism; his manuscripts and papers were either destroyed or, haphazard, lost. Not until 1964 was he rehabilitated and there was a public celebration of his genius.
Review, 1353 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |