Performing Arts

Phantasms of the Opera

The invention of gas illumination offered operagoers in the mid-nineteenth century “a completely new experience of light” that reshaped operatic composition and performance.

March 11, 2021 issue

Sonia Delaunay: Danseuse, deuxieme version, 1916

Clair Wills

Stepping Out

The joy of dancing as a follower is to listen for the barely said—to interpret signs almost before they have been given, to read messages in the moment they are being sent.

August 20, 2020 issue

Mikhail Baryshnikov as Benedict XVI and Kaspars Znotiņš as Georg Gänswein in The White Helicopter at the New Riga Theater

Joan Acocella

The Red Shoes

Mikhail Baryshnikov has never played so undashing a hero.

May 14, 2020 issue

Matthew Aucoin

Making Shakespeare Sing

On Verdi’s last two operas, Otello and Falstaff

December 19, 2019 issue

Geoffrey O’Brien

Back on Catfish Row

‘Porgy and Bess’ at the Met

November 21, 2019 issue

Mike Nichols on the set of Catch-22, Guaymas, Mexico, 1969

Simon Callow

Charm Defensive

Mike Nichols was charismatic, witty, invariably quotable. But do I feel I knew him? Not at all.

September 24, 2020 issue

Ed Stoppard as Ludwig, Alexis Zegerman as Eva, Faye Castelow as Gretl, and Adrian Scarborough as Hermann in Tom Stoppard’s Leopoldstadt, directed by Patrick Marber at the Wyndham’s Theatre, London, 2020

Kate Maltby

Tom Stoppard’s Theatre of Memory

For Stoppard, this play is a personal “coming-out.” That may be a difficult concept for some American Jews to understand, but England is not America.

February 14, 2020

Yvonne Rainer (left) performing ‘Corridor Solo’ and ‘Crawling Through’ from Parts of Some Sextets at the Wadsworth Athenaeum, Hartford, Connecticut, 1965

Erica Getto and Max Nelson

‘Don’t Write on Here, Bad Girl’

Over sixty years, Yvonne Rainer has made an art of bringing a deadpan comic tone to strenuous scenes of bodily exertion, political struggle, emotional strain, and taxing thought.

April 23, 2020 issue

The Latest

Matthew Aucoin

A Dance to the Music of Death

Thomas Adès turns fleetingly recognizable musical elements into unstable, volatile substances tending toward evanescence and escape.

May 13, 2021 issue

Dan Chiasson

This Ain’t No Disco

Talking Heads were at once a party band and an art project.

March 25, 2021 issue

Coco Fusco

Decolonizing the Museum

“We thought when we began that the performance would be understood as a parody,” says the interdisciplinary artist and writer.

February 6, 2021

Maggie Doherty

Bella Abzug’s Fight for a Broader Feminism

On the feisty congresswoman’s posthumous return to the spotlight.

November 5, 2020 issue

Charlotte Moorman and Nam June Paik performing John Cage’s 26'1.1499'' for a String Player, 1965; photograph by Peter Moore

Brian Dillon

Chaos and Cathode Rays

October 22, 2020 issue

The choreographers Merce Cunningham, Twyla Tharp, Erick Hawkins, Paul Taylor, Martha Graham, Yvonne Rainer, José Limón, and Don Redlich, on the terrace of Graham’s Manhattan home, New York City, 1968

Christopher Benfey

Missed Steps

So many steps! So many turns! A leap. A landing. And done. The other dancers had no trouble remembering the steps. I had trouble.

August 26, 2020

Caryl Phillips

Derek Walcott in New York

Derek Walcott had many New Yorks, and all of them played a part in his life and in his evolution as a writer. But perhaps the most important of all his New York sojourns was the one from the Fifties.

July 29, 2020

Marisa Mazria Katz

An Interview with David Adjmi

David Adjmi’s newly published memoir, Lot Six, as well as his play Stunning, are testament to a rapturous ability to capture the cadence and idiosyncrasies of a group never previously brought to dramatic life in mainstream culture.

July 23, 2020