Film & Television

‘What the Hell Can I Call Myself Except British?’

Steve McQueen’s Small Axe series presents Black Britons not as objects but as protagonists, not as heroes but as humans.

April 29, 2021 issue

Mark Gevisser

‘Moffie’ and Me

South African filmmakers are confronting an aspect of the apartheid era that marked my generation: an abusive masculinity defined by its homophobia.

May 3, 2021

Andrew Delbanco

Kubrick’s Human Comedy

Though Stanley Kubrick was often characterized as icy, his life and filmography reveal that his heart was as large as his mind.

May 13, 2021 issue

J. Hoberman

‘Undine’ Retold

With its haunting indifference to logic, German director Christian Petzold’s version of the myth is a study of the ways in which men and women misunderstand one another.

May 30, 2021

Max Nelson

Alone Together in Taipei

Intimacy in Tsai Ming-liang’s films is an elusive possession, but the desire for it is constant and always particular.

June 10, 2021 issue

Elaine Blair

Designing Women

Making space for women to behave badly in ‘Portrait of a Lady on Fire’ and ‘The Favourite.’

December 17, 2020 issue

A scene from ‘The Face of Depression,’ an episode in season 6 of BoJack Horseman, 2019

Adam Thirlwell

A Horse’s Remorse

The most accurate portrait of contemporary malaise might be a cartoon that stars an asshole sublebrity horse.

August 20, 2020 issue

Mike Nichols on the set of Catch-22, Guaymas, Mexico, 1969

Simon Callow

Charm Defensive

Mike Nichols was charismatic, witty, invariably quotable. But do I feel I knew him? Not at all.

September 24, 2020 issue

The Latest

Elaine Blair

Hemingway’s Consolations

It’s preposterous to think of Hemingway, with his best sellers and personal celebrity, as a writer’s writer. But is it possible that this might be the best description of his status today?

September 23, 2021 issue

Karan Mahajan

India’s Streaming Auteurs

Realistic depictions of religion, sexuality, and politics have been off-limits in Bollywood for decades, but in recent years directors were able to bypass censorship by moving to the small screen.

July 1, 2021 issue

Sasha Frere-Jones

The Paranoid Style in Adam Curtis

His films choreograph archive footage, charismatic pop, and portentous commentary in pursuit of a dark, totalizing narrative—all the seduction of conspiracy theory without the substance.

May 8, 2021

Claudia Dreifus

‘Comic Terrorism Works’: An Interview with John Waters

The avant-garde filmmaker who wanted to be the filthiest person alive has ended up becoming a national treasure. How did that happen?

April 29, 2021

Devika Girish

What Next, After Protest?: An Interview with Ephraim Asili

The Inheritance, a hybrid mockumentary about a Black Marxist collective, studies the everyday to imagine a new future.

April 11, 2021

Cintra Wilson

‘Where the Patriarchy Strikes’: An Interview with Merrill Markoe

The comedian, artist, and graphic novelist looks back on her career as a woman in comedy on the occasion of her tenth book, a graphic novel based on her childhood diaries.

April 4, 2021

Mark O’Connell

Old Midlands Giants

The comedian Stewart Lee’s documentary King Rocker is about a musician who seems impossible to mythologize.

April 8, 2021 issue

J. Hoberman

The ‘Lost World’ of Vittorio De Seta

These luminous shorts depicting the hardscrabble lives of fishermen, shepherds, peasants, and miners in rural Italy turn documentary into art film.

February 14, 2021

Shannon Pufahl

The Look of Lesbian Love

Recent films like Ammonite and Portrait of a Lady on Fire make a spectacle of same-sex desire, but who is meant to enjoy the view?

December 28, 2020

J. Hoberman

Revenge of the Has-Been

Mank is no documentary but a semifactual yarn that burnishes the legend of the showboat, nasty wit, and habitual roisterer who wrote Citizen Kane.

January 14, 2021 issue