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'The barge she sat in, like a burnished throne/Burned on the water.' So begins Shakespeare's greatest evocation of erotic arousal, Enobarbus' celebrated account in Antony and Cleopatra of the way the Egyptian queen's appearance on the river Cydnus first 'pursed up' the heart of the Roman general. For Niklaus Largier it would come as no surprise that Shakespeare has Cleopatra's seductive tableau include a playful, fleeting image of flagellation:
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