It is always interesting and sometimes even important to have intimate knowledge of a composer’s life, but it is not essential in order to understand the composer’s works. In Beethoven’s case, one mustn’t forget that in 1802, the year he was contemplating suicide—as he wrote in an unsent letter to his brothers that came to be known as the “Heiligenstadt Testament”—he also composed the Second Symphony, one of his works that was most positive in spirit, thus showing us that it is of vital importance to separate his music from his personal biography and not to conflate the two.
This article is available to subscribers only.
Please choose from one of the options below to access this article:
Purchase a print subscription (20 issues per year) and also receive online access to all articles published within the last five years.
Purchase an Online Edition subscription and receive full access to all articles published by the Review since 1963.
Purchase a trial Online Edition subscription and receive unlimited access for one week to all the content on nybooks.com.