Charles Hope
Charles Hope is Director of the Warburg Institute, London, and the author of Titian. (December 2002)
From the Review
December 5, 2002: Mind Your Maniera
Painting in Renaissance Florence, 1500–1550 by David Franklin
Pontormo, Bronzino, Allori: A Genealogy of Florentine Art by Elizabeth Pilliod
Objects of Virtue: Art in Renaissance Italy by Luke Syson and Dora Thornton
December 20, 2001: E.H. Gombrich (1909–2001)
August 9, 2001: The Last 'Last Supper'
Leonardo: The Last Supper with essays by Pinin Brambilla Barcilon and Pietro C. Marani,translated from the Italian by Harlow Tighe
Il Genio e le Passioni: Leonardo e il Cenacolo: Precedenti, innovazioni, riflessi di un capolavoro (The Genius and the Passions: Leonardo and the Last Supper: Precedents, Innovations, Reflections of a Masterpiece) Catalog of the exhibition edited by Pietro C. Marani, with a preface by Ernst H. Gombrich
Leonardo da Vinci by Sherwin B. Nuland
Leonardo: The First Scientist by Michael White
February 24, 2000: On Francis Haskell (1928–2000)
December 2, 1999: A Wind from the West
Il Rinascimento a Venezia e la pittura del Nord ai tempi di Bellini, Dürer, Tiziano [The Venetian Renaissance and Northern Painting in the Time of Bellini, Dürer, and Titian] 1999-January 9, 2000. an exhibition at the Palazzo Grassi, Venice,September 5,, Catalog of the exhibition edited by Bernard Aikema, by Beverly Louise Brown
June 24, 1999: In Lorenzo's Garden
Three Worlds of Michelangelo by James H. Beck
October 31, 1996: The Myth of Florence
Florence: A Portrait by Michael Levey
October 5, 1995: Can You Trust Vasari?
Giorgio Vasari: Art and History by Patricia Lee Rubin
September 22, 1994: The Possessed
The Cultures of Collecting edited by John Elsner, edited by Roger Cardinal
Collecting: An Unruly Passion, Psychological Perspectives by Werner Muensterberger
November 18, 1993: Restoration or Ruination?
Art Restoration: The Culture, the Business and the Scandal by James Beck, with Michael Daley
June 24, 1993: Painting and Patronage (letter)
June 10, 1993: Tempest over Titian
Le Siècle de Titien: L'âge d'or de la peinture à Venise an exhibition at the Grand Palais, Paris, March 9–June 14, 1993
Le Siècle de Titien: L'âge d'or de la peinture à Venise catalog of the exhibition by Michel Laclotte. others
March 25, 1993: Wall Power
Arts of Power: Three Halls of State in Italy, 1300–1600 by Randolph Starn, by Loren Partridge
Painting, Power and Patronage: The Rise of the Professional Artist in Renaissance Italy by Bram Kempers, translated by Beverly Jackson
March 26, 1992: Michelangelo, True or False?
Michelangelo's Drawings: The Science of Attribution by Alexander Perrig, translated by Michael Joyce
Drawn to Trouble: The Forging of an Artist by Eric Hebborn
Michelangelo's Nose: A Myth and Its Maker by Paul Barolsky
Why Mona Lisa Smiles and Other Tales by Vasari by Paul Barolsky
Giotto's Father and the Family of Vasari's Lives by Paul Barolsky
April 11, 1991: Reading the 'Tempest' (letter)
February 14, 1991: Storm over the Storm
Giorgione's 'Tempest': Interpreting the Hidden Subject by Salvatore Settis, translated by Ellen Bianchini
November 22, 1990: 'Rediscovering the Bellinis': An Exchange
July 19, 1990: Rediscovering the Bellinis
The Genius of Jacopo Bellini: The Complete Paintings and Drawings by Colin Eisler
Giovanni Bellini by Rona Goffen
August 17, 1989: The Real Leonardo
Leonardo da Vinci (January–April 1989) catalog of an exhibition at the Hayward Gallery, London, by Martin Kemp, by Jane Roberts, by Philip Steadman, introduction by E.H. Gombrich
Leonardo on Painting edited by Martin Kemp, selected and translated by Martin Kemp, by Margaret Walker
Michelangelo Draftsman DC (October–December 1988), and, in revised form, as Michel-Ange Dessinateur at the Louvre, Paris (May 13–July 31, 1989) catalog of an exhibition at the National Gallery of Art, Washington,, by Michael Hirst
Michelangelo and his Drawings by Michael Hirst
December 22, 1988: The Eyewitness Style
Venetian Narrative Painting in the Age of Carpaccio by Patricia Fortini Brown
September 24, 1987: Sight Gags
The Arcimboldo Effect: Transformations of the Face from the Sixteenth to the Twentieth Century An exhibition at the Palazzo Grassi, Venice (February–May, 1987)
The Arcimboldo Effect: Transformations of the Face from the Sixteenth to the Twentieth Century by Pontus Hulten et al.
September 24, 1987: 'Renaissance Beauties': An Exchange
May 28, 1987: Renaissance Beauties
Lives of the Courtesans: Portraits of the Renaissance by Lynne Lawner
May 29, 1986: Jupiter's Boy
Cellini by John Pope-Hennessy, principal photography by David Finn, additional photography by Takashi Okamura. others
Ganymede in the Renaissance: Homosexuality in Art and Society by James M. Saslow
November 4, 1982: How Venetian Is Venetian Painting?
Painting in Cinquecento Venice: Titian, Veronese, Tintoretto by David Rosand
Books by Charles Hope
Veronese and the Venetian Tradition of Allegory (1986)
Titian (1980)