NYRB Classics

An innovative list of fiction and nonfiction for discerning and adventurous readers

Transit

Anna Seghers, introduction by Peter Conrad, afterword by Heinrich Böll, translated from the German by Margot Bettauer Dembo

An NYRB Classics Original

Anna Seghers’s Transit is an existential, political, literary thriller that explores the agonies of boredom, the vitality of storytelling, and the plight of the exile with extraordinary compassion and insight.

Having escaped from a Nazi concentration camp in Germany in 1937, and later a camp in Rouen, the nameless twenty-seven-year-old German narrator of Seghers’s multilayered masterpiece ends up in the dusty seaport of Marseille. Along the way he is asked to deliver a letter to a man named Weidel in Paris and discovers Weidel has committed suicide, leaving behind a suitcase containing letters and the manuscript of a novel. As he makes his way to Marseille to find Weidel’s widow, the narrator assumes the identity of a refugee ...

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The Green Man

Kingsley Amis, introduction by Michael Dirda

A thoroughly contemporary ghost story … in the uncomplicated, old-fashioned sense. As one might expect from the author of Lucky Jim, The Green Man is also an extremely funny book, filled with slapstick, parody and satire. Indeed, the success of this short novel depends very much on the balance that Amis maintains between fear and laughter.”—The New York Times More »
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The Alteration

Kingsley Amis, introduction by William Gibson

In Kingsley Amis’s virtuoso foray into alternate history, it is 1976 but the modern world is a medieval relic, frozen in intellectual and spiritual time ever since Martin Luther was promoted to pope back in the sixteenth century. “One of the best—possibly the best—alternate-worlds novels in existence.”— Philip K. Dick More »
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The Crisis of the European Mind: 1680–1715

Paul Hazard, introduction by Anthony Grafton, translated from the French by J. Lewis May

In this landmark of intellectual history, Paul Hazard looks at the period leading up the Enlightenment, years which saw the erosion of the classical values of respect for tradition, stability, and proportion, as well as a growing awareness of non-European cultures. Hazard captures the excitement of a revolution, the impact of which continues to be felt in our own time. More »
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Diary of a Man in Despair

Friedrich Reck, afterword by Richard J. Evans, translated from the German by Paul Rubens

This astonishing dispatch from Nazi Germany was not published until after the author’s death at Dachau. In it we see a man awakening into political consciousness as he watches his country succumb to its murderous impulses. “One of the most important documents of the Hitler period”—Hannah Arendt More »
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Pitch Dark

Renata Adler, afterword by Muriel Spark

“What’s new. What else. What next. What’s happened here.” Pitch Dark, Renata Adler’s follow-up to her prize-winning novel Speedboat, is a book of questions, questions that bedevil Kate Ennis as she considers her relationship with her married lover. “A moving, infuriating, tantalizing book.”—The Boston Globe More »
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Speedboat

Renata Adler, afterword by Guy Trebay

Speedboat—a novel, a memoir, a lyric essay?—all questions of category fall away in its reading. What remains is Renata Adler’s voice, perceptive, wry, brilliant, making what sense she can of the late 20th-century condition. Speedboat was a revelation to writers as different as Elizabeth Hardwick and David Foster Wallace, and its true influence is only beginning to be felt. More »
 
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