This film series is a celebration of the many ways in which cinema has been enriched by the work of Argentine writers Jorge Luis Borges and Adolfo Bioy Casares.

Florence Foster Jenkins tells the story of how the world’s worst classical singer bulldozed her way to a legendary, self-financed 1944 Carnegie Hall recital.

In conjunction with the 50th Anniversary revival run of Robert Bresson's Au Hasard Balthazar on 35mm, Metrograph screens a series of Bresson's work.

“Divine Pleasures” and its excellent catalog thus reflect the huge amount of new work that has been done collating the paintings of regional schools by a diverse range of scholars.

The New Literature from Europe Festival returns in its 13th year with a program including Yoko Tawada, Stefan Hertmans, Ann Cotten, Colin Barrett, Tommy Wieringa, Salman Rushdie, Jhumpa Lahiri, Ann Goldstein, Nick Flynn, Nick Laird, Deborah Eisenberg, and many others.

Anyone in London, resident or visitor, looking for vivid musical life this autumn could do worse than follow Horace Greeley’s advice and “Go West, young man" (or young woman, or person of any age).

In conjunction with two new books on Robert Bresson, published by New York Review Books, this series will present a selection of Bresson’s films alongside favorite films that embody his sensibility.

The film Denial is about the events surrounding the trial when, in 2000, British Holocaust denier David Irving sued American academic Deborah E. Lipstadt for writing about him in her 1993 book.

Sarah Wood and Alice Sage, the curators of the "Small Stories" exhibition of dollhouses, have found ingenious ways to play with scale and changing dimensions in order to bring the installation’s twelve featured structures, all but two English, ranging in date from 1673 to the 1990s, to dynamic life.

"Fishermen & Kings" is the first comprehensive exhibition to celebrate exclusively the life and work of pioneering British photographer Olive Edis, the first-ever accredited female war photographer.

"Alice Neel: Painter of Modern Life" will be on view at the Gemeentemuseum Den Haag in the Netherlands from November 5, 2016 through February 12, 2017.

“Tony Oursler: Imponderable,” an exhibition on the video artist Tony Oursler and his encyclopedic collection of over 2,500 images and objects, "provide evidence of the (often misguided) power of faith, and of our longing to believe in—or our compulsion to disprove—the existence of the occult."

"Stuart Davis, the only first-class Cubist to emerge from North America, may appear to be dated with its period graphic tropes," writes Robert Storr, "yet the abiding immediacy of his painterly manner has given it an enduring, if less noted, presence in the evolution of US art."

By the time he was fifteen years old, Picabia had acquired a skill so brilliant that he copied his father’s collection of Spanish paintings, replacing the originals with his copies.