The writer Flannery O’Connor kept a pet chicken when she was a small child and trained it to walk backward—it was the subject of a 1931 Pathé film “short,” a brief human interest story that came between the Pathé news and the feature picture show. The five-year old Flannery was in the picture “to assist the chicken,” but later said that it was “the high point” in her life, adding, “Everything since has been anticlimax.”
When I began studying her linoleum cuts that short film came back to me. It came back for the simple reason that linoleum cuts are drawn and cut backwards. Her prints are naïve in their craftsmanship. But so what? One does not really expect accomplished, sophisticated art from a college student, much less in a college newspaper, and in this O’Connor is not an exception.